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“You’re About To Discover How YOU Can Create the Most Extraordinary Comic Books You’ve Ever Imagined… Right NOW."
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From: Ian Hannin

RE: Comic Book Lab






Dear Comic Book Artist -

My name is Ian Hannin.  I am a professional comic book colorist.  I've colored everything from Batman to X-Men.  Over the years, I've worked with amazing artists and I've seen fantastic NEW artists arrive on the scene to find acclaim and success.  If you're an artist or a comic book fan, or if you've simply wondered about the process of creating comic book art, then read everything below...

Ian Hannin





Module 1- Penciling

The first stage of creating a comic book page is the pencils. But it’s not just about crafting the hero’s muscles or the spaceship’s cockpit controls. Every good comic book page begins with a solid composition. Veteran comic book artist, Richard Bennett, begins the journey of each page with a loose sketch to establish the “flow” of the page. The reader’s eye must be lead from panel to panel in order for the story to unfold properly. Once this is accomplished, the task of rendering the creatures, characters, vehicles, weapons, landscapes, and other story elements can begin.

Module 2- Inking

The pencils are done! A story in graphite has emerged from the nothingness that was a blank sheet of paper! Good has risen to combat evil in a sequential tale reading left to right and top to bottom! Now, a new medium must be brought into play. Ink. By applying black ink to the page using brush, quill, marker and even sponge, the penciled art is taken to new levels of contrast, texture and weight. Richard Bennett continues the process in this second stage in the creation of a comic book page.

Module 3- Coloring

The inks are dry! Light and shadow collide in a dynamic illustration of high stakes combat! But there is another stage to this process- another act to this play. Color. Enter into the magical world of Adobe Photoshop with pro colorist, Ian Hannin, as he embellishes Bennett’s art with his digital brush and palette. Hue and saturation bring mood, tone and even temperature to bear. Foreground and background are put into high relief. Flesh is warmed and armor is polished. And finally, with the addition of special effects, the piece is completed with cinematic results.



Don’t Take My Word For It


“I love Ian Hannin's work. And I thought the idea of comic book lab was super exciting!



Jason Brubaker

Producer of Comic Book Lab


“Ian Hannin is an extremely talented artist and loves what he does, which is perhaps even more important. It's exciting to see him share his talent this way.”



Carl Storm

Comic Book Nerd


“Ian is one of the most precise and contemplative colorists I've worked with. He has an amazing ability to flip his style to suit (and enhance) any type of line art. It's a joy to have a colorist be as familiar with the tone, theme and details of the material as the artist or myself, and then have that commitment and knowledge show itself in his coloring decisions. The palette of a color comic is just as much a part of the story as anything else, and Ian is a rare thing in colorists, a genuine storyteller.”



Joshua Dysart

Comic Book Writer



Here's Exactly What You'll Get Inside Comic Book Lab

How to transform your killer comic book ideas into full color, action packed pages from two industry pros, Richard Bennett and Ian Hannin. How to utilize the tools and materials needed to craft your comic book page, complete with a professional step-by-step demonstration. How to make sure your composition and layout tells an engaging, memorable and compelling story that your fans will want to share with their friends. Get an inside view of the professional techniques Richard and Ian utilize so you can accelerate your comic book career and take it to the next level. Discuss and collaborate with other artists in the exclusive Comic Book Lab, Facebook Group.



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We look forward to guiding you through the comic book process.

Thanks,


Ian Hannin


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In database since 2014-07-23 and last updated on 2015-07-01
 
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