The Magic Course

Screenwriting Riches
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* How to Get Rich Writing Screenplays

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Top Secret Report

\"GIVE ME 5 MINUTES AND I'LL SHOW YOU HOW YOU CAN WRITE A
FULL-LENGTH SCREENPLAY IN _UNDER 30 DAYS, _AND...
HAVE IT SOLD__ IN _UNDER_ _60 DAYS_!\"

FACT:
The Average Working Screenwriter Makes $350,000 Per Year! Good
Writers Make MILLIONS Each Year!

FACT:
Anyone Can Easily Make MILLIONS a Year...
Even Just for Your Good Story Ideas and_ Without_ Writing a
Full-Length Screenplay!

FACT:
ANY SCREENWRITER THAT DIDN'T MAKE AT LEAST $350,000 LAST YEAR HAS
SOLD HIMSELF (OR HERSELF) SHORT!

* BECOME A HIGHLY PAID SCREENWRITER OR STORY \"PITCHER\"
* WRITE A FULL-LENGTH SCREENPLAY IN 30 DAYS OR LESS
* BECOME A SOUGHT-AFTER HOLLYWOOD WRITER IN 12 MONTHS OR LESS
* MAKE SIX- OR SEVEN-FIGURES FOR EACH SCRIPT OR MOVIE IDEA

Dear Hollywood Writer,

* IMAGINE BEING ABLE TO LIVE ANYWHERE IN THE WORLD WHILE RAKING IN
MILLIONS OF DOLLARS EVERY YEAR FOR YOUR SUPER HOT STORY IDEAS AND
SCRIPTS...

* IMAGINE HAVING TOP HOLLYWOOD PRODUCERS AND DIRECTORS HOUNDING YOU
AND BEATING A PATH TO YOUR DOOR JUST TO GET A HINT OF YOUR NEXT
HOTTEST BLOCKBUSTER FILM IDEA...

* IMAGINE BEING TALKED ABOUT AS THE BEST OF THE BEST AMONG THE
RANKS OF OTHER SCREENWRITING AND FILM LEGENDS LIKE JOE ESZTERHAS OR
OLIVER STONE...

IS THIS AN IMPOSSIBLE DREAM?

It's much easier than you think!

How You Can Have a Highly-Paid, Glamorous Career
As Hollywood Screenwriter!

Listen, I'm sure you have every screenwriting book, magazine,
manual, course, whatever out there and you're probably
wondering..."How the hell is she going to help me...? What is she
going to tell me that's different...?"

THE TRUTH IS, MOST OF THE REAL SECRETS OF BREAKING INTO HOLLYWOOD
HAVE NEVER BEEN REVEALED IN A BOOK, COURSE, VIDEO, OR AT A SEMINAR.

Why?

Because people who write the books don't have a successful
screenwriting career themselves. People who speak on the screenwriting
DVDs have never sold a screenplay. People who speak at seminars
haven't made a screenwriting sale and they make their money at
seminars and not as screenwriters!

And that's why no one has ever revealed the TRUTH about how to
REALLY break into Hollywood as a successful screenwriter.

No one has told you HOW to write screenplays that sell, HOW to
present story concepts that studio executives will buy, and HOW to
build a long-term, highly successful career as a Hollywood
Screenwriter!

But I will reveal the REAL SECRETS to you because I am a successful
Hollywood screenwriter!

I'm going to reveal to you how to...

* Make money as a screenwriter without actually "writing" anything
(if you don't want to be a "writer")...
* Write a full-length screenplay in 30 days or less using the
"movie reel method"...
* Develop a killer movie concept that will have producers and
studio executives SALIVATING at the mouth...
* Master basic movie "marketing" so you'll never pitch or come up
with a loser script idea ever again...
* Get your high-concept screenplay read instantly by any top
Hollywood agent or studio executive...
* Become "known" in Hollywood as the next up-and-coming HOT NEW
SCREENWRITER...
* Get bidding wars over your scripts and have studios fighing over
the development of your movie ideas...
* Become a master "pitcher" and make seven-figures per year just
pitching movie ideas and never writing a single word...
* Discover and use the REAL secrets behind breaking in that NO ONE
ever talks about...

_My name is Moni Share._ I have worked in the production side of
Hollywood for over 17 years. When I was in my late teens I took a job
as a script reader for a production company called 21st Century Film
Corp. (formerly Cannon Films).

You may be familiar with their work. They did all the Charles
Bronson and Chuck Norris films. Yes, they were considered a "B-rate"
film company.

I worked for them for many years and did the grueling work reading
all the bottom-of-the-barrel scripts that came in. _ I READ WELL OVER
3,000 SCRIPTS FOR THEM AND PERHAPS ONLY 6 OUT OF 3,000 WERE WORTH
MAKING INTO A MOVIE._ At that time, I was only mildly interested in
pursuing a screenwriting career.

Later, I worked for a couple of other production companies doing
freelance script reading then later took a position in a mainstream
Hollywood agency doing the same thing but, by then, I had already
reached script reading BURN OUT!

After reading scripts for more than a dozen years, I found myself
burned out but extremely educated on what Hollywood was looking for,
what "talent" was out there, and what it took to write and produce a
successful, highly profitable film.

HERE'S WHAT I DISCOVERED AFTER MY MANY YEARS OF READING SCRIPTS:
99.9% OF THE SCRIPT SUBMISSIONS OUT THERE ARE COMPLETE GARBAGE! People
don't have a clue about structure, plot, story, characters, or
anything marketable. People had no idea what would make a good film!

And this is an EXCITING FACT!

_WHY?_

BECAUSE THERE IS ALMOST NO COMPETITION OUT THERE FOR YOU TO WORRY
ABOUT IF YOU CAN COME UP WITH A DECENT MOVIE IDEA OR SCRIPT!

I REALIZED ANOTHER STARTLING FACT: IF YOU HAVE THE BASIC ELEMENTS
OF A GOOD MOVIE CONCEPT WITH THE BASIC ELEMENTS OF SCREENPLAY
STRUCTURE, THAT'S ALL IT WOULD TAKE TO WRITE A BLOCKBUSTER FILM.

In the second half of my nearly 2 decades working in Hollywood, I
was sort of thrown into helping to develop the careers of those who
wanted to break into the industry but didn't know how. I began
counseling and directing people to the right path of both movie
concepts and basic screenplay structure.

Because I had worked for so long as a script reader and I had gotten
to know some of the aspiring screenwriters looking to break into the
business, I found myself being "sought-after," if you want to go that
far. They wanted me to make notes throughout their scripts about what
was wrong and what they could change to finally "break in" to
Hollywood.

Over the last several years I have worked with many screenwriters
who have gone on to sell their work to Warner Bros., Universal, MGM,
Lions Gate, 20th Century, Miramax, Dream Works and Disney for five-
six- and seven-figure payouts.

And recently, I have worked with a handful of people who each have
had Hollywood success in different ways.

*

One started off on a path to become a screenwriter and ended up
discovering her true calling as a Hollywood agent instead. Now she's
making six-figures a year as a "power player" for the stars.

*

Another started off as a movie concept "pitcher" and landed a gig as
an assistant producer and decided that producing films was a better
fit for him rather than screenwriting.

*

Another woman became an actress for a string of "B-rate" movies and
makes loads of money writing her own projects, producing them, and
taking part in directing the films.

*

And then there is, Alex Foster, who is one of the most successful
Hollywood "pitchers" there are, making seven-figures a year just from
going from studio to studio pitching his incredible movie ideas!

ALL OF THESE PEOPLE I'VE WORKED WITH HAVE HIGH PAYING MONEY-MAKING
CAREERS IN HOLLYWOOD. Are they as big as Oliver Stone or Tom Cruise?
No. But they are on their way! Everyone has to start somewhere!

And what about me? If I'm such a great screenwriting coach, have I
sold anything?

_ABSOLUTELY!_ (IN FACT, YOU SHOULDN'T BE WORKING WITH ANYONE WHO
HASN'T SOLD A SCREENPLAY!)

I HAVE OPTIONED 3 SPEC SCRIPTS, SOLD A HALF DOZEN MOVIE TREATMENTS,
AND I'M COMPLETING A SCREENPLAY I HAVE UNDER CONTRACT WITH WARNER
BROS. OF A STORY IDEA THAT I HAD PITCHED TO THEM LAST YEAR!

In 2010 I have a book coming out called _FAST TRACK TO SCREENWRITING
SUCCESS_. This book will teach everyone how to become hugely
successful in Hollywood as a screenwriter or "pitcher."

This book will reveal all of the "ins" and "outs" of hitting it big
as a Hollywood writer. ONCE THIS BOOK HITS BOOKSTORE SHELVES, IT WILL
DRAMATICALLY INCREASE THE COMPETITION OUT THERE...AND YOU WANT TO GET
A HEAD START!

_DON'T YOU?_

THAT'S WHY I WANT TO REVEAL THESE SECRETS TO YOU AHEAD OF TIME; SO
YOU CAN HAVE THE COMPETITIVE EDGE. BY THE TIME MY BOOK IS RELEASED,
YOU CAN ALREADY HAVE A STREAMLINED, HIGH-PAYING CAREER AS A HOLLYWOOD
WRITER BY USING MY LITTLE-KNOWN SUPER SUCCESS STRATEGIES.

I AM CONVINCED THAT ANYONE WITH A HALFWAY DECENT MOVIE IDEA CAN HIT
IT BIG IN HOLLYWOOD BUT _ONLY_ IF YOU KNOW WHAT YOU ARE DOING!

_IN FACT, DID YOU KNOW...?_

You Don't Have to Be a "Writer"
In Order to Make Millions in Hollywood as a Writer?

There are a handful of "pitchers" who go from studio to studio
pitching one movie idea after another and get paid BIG BUCKS just for
their ideas. And they never write a stitch of anything for the studio.
Someone else writes the script yet they get paid big for their movie
ideas only!

_AMAZING!_

_AND THAT COULD BE YOU!_

OR...

IF YOU WANT TO BE A SCREENWRITER -- AFTER ALL, SOMEONE HAS TO WRITE
ALL THOSE SCRIPTS THAT ARE BEING PITCHED -- THERE ARE EVEN BIGGER
MONEY OPPORTUNITIES FOR YOU!

How?

Because if you are pitching your own story ideas and then want to
write the script, you'll be the screenwriter the studio has under
contract to use to write the screenplay and this can mean mid-six
figures or low-seven figures for you...just for your first and second
tries at writing the screenplay.

SOME SCREENWRITERS EVEN GET SEVEN FIGURES FOR THEIR SCREENPLAYS!

IN FACT, JUST LAST WEEK A NEW SCREENWRITER SOLD HIS SPEC SCRIPT FOR
$322,000 FOR A SCREENPLAY THAT TOOK HIM 11 WEEKS TO WRITE! IF YOU
THINK THOSE NUMBERS ARE MIND-BOGGLING, THINK AGAIN!

_AND WHY SHOULDN'T IT BE HAPPENING TO YOU?_

WANT TO BE A HIGHLY-PAID HOLLYWOOD SCREENWRITER? FIND OUT HOW
ONE SCREENWRITER BROKE IN WITH NO EXPERIENCE AND SOLD HIS FIRST MOVIE
IDEA FOR [REVEALED IN REPORT]! AND HOW ANYONE CAN FOLLOW A _SIMPLE
SUCCESS BLUEPRINT_ TO HAVE THE HOLLYWOOD SCREENWRITING CAREER YOU'VE
ALWAYS WANTED! GET INSTANT ACCESS!

Name:

Email:

WE NEVER SHARE, SELL, OR TRADE YOUR PERSONAL INFORMATION WITH ANY
OTHER COMPANY OR ORGANIZATION. _GUARANTEED!_

HOLLYWOOD IS SCREAMING FOR NEW TALENT...THEY ARE LOOKING FOR YOU!

 

Myth #1:  It's next to impossible to break into Hollywood as a new
screenwriter because studios, production companies, and mainstream
agencies won't look at a new writer's work.

CONTRARY TO POPULAR BELIEF THAT SAYS HOLLYWOOD HAS LOCKED OUT NEW
TALENT, _NOTHING COULD BE FURTHER FROM THE TRUTH_.  THEY ARE
\"LOCKING OUT\" _TALENT-LESS WANNABES_ WHO ARE TRYING TO WASTE THEIR
TIME.  THEY ARE NOT LOCKING OUT NEW TALENT, ESPECIALLY \"PITCHERS\"
AND SCREENWRITERS.

 

TRUST ME WHEN I SAY, IF YOU HAVE A MOVIE IDEA/CONCEPT OR A
WELL-WRITTEN SCRIPT, THEY WILL OPEN THE DOORS FOR YOU.  GUARANTEED!

Hollywood without screenwriters (especially "new blood") would be a
disaster.  After all isn't it a screenwriter who "starts" the process
of the movie? _ __ALL MOVIES START WITH A SCRIPT._  Being a
screenwriter is a powerful position to be in.  You are the creative
genius that drives the entire process!

IN FACT, BEING A SCREENWRITER IS THE BEST PROFESSION IN
HOLLYWOOD.  Becoming an actor requires a lot of luck and you
are only "hot" for a short time before you are retired out to the
fields.  Becoming a director stems on how much talent you have,
usually starting off as a screenwriter.
 

Here's a Hollywood "secret" that NO ONE will reveal to you...

 

THERE ARE A COUPLE HUNDRED OF THESE GUYS AND GALS THAT ARE MAKING
MID- TO HIGH-SIX FIGURES A YEAR JUST FOR THEIR IDEAS!  _Why can't
that be you?  Why isn't that you already?_ 

After all, I'm sure you are loaded with tons of hot movie ideas that
will get studio executives and producers salivating at the mouth.

_AREN'T YOU?_
 

_THEY WANT YOUR STORY AND THEY WANT IT NOW!_

 

CAN YOU IMAGINE MAKING AN INCREDIBLE LIVING JUST PITCHING STORIES? 
OR WRITING STORIES FOR HOLLYWOOD?

 

NOT ONLY IS THIS POSSIBLE...IT'S HIGHLY PROBABLE _IF _YOU FOLLOW A
SIMPLE SET OF RULES.

 

You just have to decide if you want to be a Hollywood screenwriter
or a Hollywood "pitcher."

 

You don't have to decide right now.

 

_Keep reading..._

HOLLYWOOD IS AVIDLY LOOKING FOR HORRORS, COMEDIES, AND
ACTION/ADVENTURE MOVIE IDEAS!

 

My biggest beef with screenwriting books out there is that they
don't tell you how to really come up with a marketable story.  They
don't talk about coming up with the right story at all!  They just
talk about writing the story.

And that's not good enough!

NOT JUST ANY STORY WILL DO.  NOT JUST ANY MOVIE IDEA WILL FLY.
 

_YOU CAN HAVE THE MOST PERFECTLY PLOTTED, STRUCTURED, AND FORMATTED
SCREENPLAY THAT YOU SPENT YEARS WRITING BUT IT WILL PROBABLY GET
TURNED DOWN FLAT BY HOLLYWOOD PRODUCERS BECAUSE, CHANCES ARE, YOUR
STORY ISN'T WHAT THEY WANT TO PRODUCE!_

 

THE EASIEST WAY TO GUARANTEE YOUR SUCCESS AS A WRITER OR \"PITCHER\"
FOR HOLLYWOOD STORIES IS TO GIVE THEM WHAT THEY ARE LOOKING FOR. 
IT'S THAT EASY.

 

_IT'S BASIC MARKETING 101.  FIND A PRODUCT THAT PEOPLE WANT AND
COME UP WITH THAT PRODUCT._

 

The same thing applies to Hollywood movies.  In fact, it applies
MORE to Hollywood movies because studio executives and producers DO
NOT have room for error or major box office flops, especially in this
economy.

 

Yes, there are hit run movies out there like _Slumdog Millionaire_
but those are the exception and not the rule.

MYTH #2:  HOLLYWOOD DOESN'T HAVE ROOM FOR NEW CREATIVE STORIES
SINCE ALL THEY KEEP DOING IS REHASHING THE SAME COMIC BOOK CHARACTERS,
OLD MOVIES, AND SEQUELS OVER AND OVER AGAIN!
 

Do you notice how Hollywood keeps remaking comic book character
films over and over again?  And do you notice how they have some
movies going into Part 5 and Part 6?  When they have a hit like
_Pirates of the Caribbean_ or _Batman_, they will keep churning out
movie after movie after movie until the money stops coming in.

 

BOTTOM LINE:  HOLLYWOOD EXECUTIVES AND PRODUCERS WANT A SURE
THING.  THEY DON'T WANT SOME HEAVY DRAMA OR BORING MEMOIRE.  THEY
DON'T WANT SOME OFF-THE-WALL STORY LIKE _WHAT'S EATING GILBERT GRAPE?_


 

THEY WANT A SURE THING.  PERIOD!

 

Most of what the decision-makers in Hollywood "know" is that they
can virtually guarantee a success with a rehashed version of an older
movie, comic book character, or another sequel to an
already-guaranteed blockbuster hit.

Remember, their ass is on the line.

But what they are REALLY looking for is something BRAND NEW that
they can HIT OUT OF THE BALLPARK.  They want to marry a HOT NEW
CONCEPT to a BLOCKBUSTER GENRE!

What does that mean?

THEY ARE LOOKING FOR A NEW CONCEPT WOULD BE A NEW STORY TWIST MIXED
WITH A HOT GENRE LIKE AN ACTION/ADVENTURE, ROMANTIC COMEDY, ETC.

 

You can _always_ sell an action/adventure because Hollywood knows
they are big sellers.  They are looking for the next hit like _Rush
Hour_ or _Die Hard_ or_ Lethal Weapon._

 

You can always sell a horror story because they are cheap to make,
never require big name actors, and need limited locations.  They
would love to get their hands on the next_ Saw_ or _Friday the 13th_
or even _Halloween_!

 

_AND COMEDIES ARE HUGE._

IF YOU HAVE A KNACK FOR FUNNY STORIES, GET READY FOR A LONG LIFE OF
GREAT WEALTH WITH A HUGE CAREER AS A HOLLYWOOD WRITER.  Hollywood has
a ton of comedy actors like Jim Carrey or Will Farrell or Jack
Black that are all waiting for the next huge funny role...and there
are too far and few between comedy scripts and stories out there! 

Comedies are BIG MONEY MAKERS!

_Hollywood deal makers are also on the lookout for romantic
comedies, too!_
 

The first rule is to stop reading all of those fuddy-duddy
screenwriting books out there that try to rope you in to writing some
boring drama or memoire that nobody wants.  You have to stick with
what is HOT and what continues to sell over and over again in
Hollywood!

 

Remember, it's just basic Marketing 101.

And nothing makes a movie producer or studio executive more HOT for
a movie idea if you can LOSE the artsy-fartsy screenwriting approach
and GIVE THEM A HOT movie idea they can take all the credit for!

Do You Think Writing a Screenplay Has to Take 3 - 4 Months? 
_Think Again!_ 

_YOU CAN WRITE YOUR NEXT SCREENPLAY IN 30 DAYS OR LESS!_

 

MYTH #3:  A PROPERLY WRITTEN SCREENPLAY TAKES A MINIMUM OF 3 MONTHS
TO WRITE AND, IN SOME CASES, TAKE YEARS TO FINISH.

The worst part about most screenwriting books and courses is that
you get droned down with heavy structuring and confusing plotting. 
By the time you're done with your first draft, you have 150 pages of
screenplay that's a complete disaster..._and it took you 5 months to
get that far!_

 

Nobody talks about the fact that you can write a screenplay fast and
easy.  Screenplay book authors like to talk about "refining your art"
and a bunch of other nonsense while trying to make you believe that
writing is hard.

 

_AND IT DOESN'T HAVE TO BE HARD AT ALL._

 

IF YOU CAN PICTURE A MOVIE IN YOUR HEAD, ALL YOU HAVE TO DO IS GET
IT ONTO PAPER AS QUICKLY AS POSSIBLE AND TURN OUT A FULL-LENGTH
SCREENPLAY IN A MATTER OF A FEW SHORT WEEKS.

 

It's really as simple as that!

 

It's called the "movie reel method" where you just picture a movie
in your head as if you are already watching it on the big screen and
you can quickly get a solid story down in screenplay form and ready
for you to sell for six- or seven-figures within 30 days.

Joe Eszterhas used this same method to write _Basic Instinct_ in
just 13 days, and later sold it for $1,000,000.

I also use another method called "carbon copy" that shows you how to
take already existing movie concepts or a well-written screenplay and
"borrow" the story plot line and structure to instantly create a new
original concept and script from a pre-existing successful movie! 
(And no one else out there is teaching this exact method!  And, no,
you will NOT be committing copyright infringement or plagiarism.)

EVEN MORE EXCITING:  I HAVE A METHOD YOU CAN USE WHERE YOU DON'T
WRITE THE SCREENPLAY AND YOU CAN \"GHOST WRITE\" YOUR SCRIPT!

 

The biggest disadvantage about being a Hollywood story "pitcher" is
that you won't get onscreen credit for the movie idea unless you took
part in writing the actual screenplay.

 

If this doesn't matter to you then it doesn't matter...right?

 

BUT...YOU GET PAID MUCH MORE MONEY IF YOU COME UP WITH THE IDEA AND
YOU WRITE THE SCREENPLAY.

 

If you like to write then this is up your alley.

 

_IF YOU DON'T LIKE TO WRITE OR YOU DON'T HAVE THE TIME BUT YOU STILL
WANT TO CASH IN ON THIS HUGELY LUCRATIVE FIELD, YOU STILL CAN._

 

There is a strategy you can use to get people to write your story
for you.

There are two ways of doing this:

 

1)  Use a "ghost writer" to write the screenplay -- This entails
you having someone write the script for you for a fee and you will get
100% of the credit and the proceeds of the sale of the script.

 

2)  Use a "partner" to write the screenplay for you -- You provide
the story idea and someone else writes the script for you. You both
get onscreen credit for the screenplay and you both take equal
proceeds for the screenplay.

 

_HOW DO YOU FIND THESE \"GHOST WRITERS\" OR \"PARTNERS\"?_ 

EASY. 

I have a source where you can get access to thousands of
professional top-of-the-line writers who will write your story for you
if you don't feel confident or comfortable enough to write your own
story!

FROM BAR TENDER TO INDEPENDENT FILM MAKER!

"Thank you for all the encouragement and putting me on the right
path.  If it wasn't for your expertise and guidance, I wouldn't be
producing my second horror film _Dead Jack_ that I wrote and I'm
directing it.  Lions Gate is showing interest in purchasing it for
[CONFIDENTIAL FIGURE].  This is really a dream come true for me!"

-- Gina Meyers-Kimball
California

SINGLE MOM AND SCREENWRITER!

"You are the best.  You can take someone by the hand and give them
the tools they need to succeed in Hollywood.  I had given up my dream
to be a screenwriter when I gave birth to Tony 9 years ago.  You
gave me the encouragement I needed to bring back my dream and finally
pursue it.  With your help I've been able to write a full length
screenplay in 33 days and my spec script got me an agent.  I just
optioned off my first script for $17,500!  Last week I pitched my
latest story online and have a production company that's interested in
my idea.  I just can't believe how many doors opened once I learned
the techniques to make it all happen."

-- Mia Pierce
 Arizona

From Dead-End UCLA Grad
to Successful "Pitch" Man!

"Unlike a lot of people who are trying to get into the film
industry, I thought I was doing it the right way by moving from
Wisconsin and going to UCLA Film School.  When I graduated, I had no
prospects, no job opportunities in Hollywood, and I was at a complete
dead end.  I didn't know what I was going to do.  After waiting
tables for 3 years, I met you just around the time I was going to
throw in the towel for good and move back home.  You opened the doors
for me to places I never knew existed.  I found that I have a knack
for pitching movie ideas to studio executives and product company
decision makers.  So far I've been able to sell 4 of my ideas for
five-figures each idea!  I finally had enough nerve by my 4th pitch
to tell the executives that I wanted to write the script.  And they
agreed!  I'm contracted to write my last movie idea.  This ride has
been incredible.  I never dreamed this would ever be possible for
me."

Tom "Tommy Guns" Neidhoff
California

LIVE ANYWHERE IN THE WORLD AND BE A SUCCESSFUL SCREENWRITER!

 

MYTH #4:  YOU HAVE TO LIVE IN HOLLYWOOD, CALIFORNIA IN ORDER TO
MAKE IT AS A SUCCESSFUL SCREENWRITER!

If you want to be a Hollywood "pitcher," you should consider moving
to Hollywood (or at least be within a drivable distance) because you
will need to meet with studios, production companies, and other deal
makers in this town.

 

THERE IS A NEW WAY OF BEING ABLE TO PITCH YOUR STORY IDEAS ONLINE
AND THAT IS BECOMING EVER SO POPULAR NOW.  SOME OF MY STUDENTS ARE
SEEING THAT THEY CAN PITCH THEIR MOVIE IDEA ONLINE AND NEVER LEAVE
HOME!

 

THIS ALLOWS YOU TO PITCH YOUR MOVIE IDEA TO HOLLYWOOD, CALIFORNIA
WHETHER YOU ARE IN EUROPE, ALASKA, OR EVEN COSTA RICA!

And if you want to be a screenwriter, do you have to live in
Hollywood?

IF YOU WANT TO BE A SCREENWRITER, YOU ALSO CAN LITERALLY LIVE
ANYWHERE YOU WANT IN THE WORLD.  HOLLYWOOD DOESN'T CARE WHERE YOU ARE
AS LONG AS YOU CAN PRODUCE SOLID STORIES AND SCRIPTS.

 

What if you live in Australia, Canada, or Russia?  Can you still
make it as a Hollywood screenwriter?

 

_ABSOLUTELY!_

 

How?

 

BEING A SUCCESSFUL HOLLYWOOD SCREENWRITER DOESN'T REQUIRE YOU TO
LIVE IN HOLLYWOOD, CALIFORNIA.  IN FACT, IT'S THE ONLY INDUSTRY
PROFESSION THAT DOESN'T REQUIRE YOU TO LIVE HERE.

 

_IF YOU WANT TO BE A MOVIE DIRECTOR, YOU NEED TO LIVE IN
HOLLYWOOD.  IF YOU WANT TO BE A CASTING AGENT, YOU NEED TO LIVE IN
HOLLYWOOD.  IF YOU WANT TO BE A PRODUCER, YOU NEED TO LIVE IN
HOLLYWOOD.  IF YOU WANT TO BE AN ACTOR, YOU HAVE TO LIVE IN
HOLLYWOOD._

 

TO BE A SUCCESSFUL SCREENWRITER, YOU DO NOT NEED TO LIVE IN
HOLLYWOOD.

THE ENTERTAINMENT INDUSTRY IS RECESSION PROOF!

Myth #5: Executives and producers aren't buying new scripts because
there is a recession!

_Yeah, right!_

This is a popular belief, even among those who WORK in Hollywood.
What most people don't know is that the entertainment industry is
usually an industry that is NOT hit by a recession or a depression.

_WHY?_

BECAUSE PEOPLE USE ENTERTAINMENT TO ESCAPE THEIR CURRENT REALITY.

EVEN IF PEOPLE CUT BACK AND DON'T GO TO THE MOVIES, THEY WILL STILL
BE RENTING VIDEOS FROM BLOCKBUSTER OR NETFLIX!

People don't cut back on their entertainment much during a recession
except for "non-essential" shows like Broadway or other live shows
(especially in Las Vegas). Otherwise, NO ONE HAS AN INTEREST IN GIVING
UP THEIR TELEVISION OR THEIR MOVIES._ IT'S A BASIC ESSENTIAL IN MOST
PEOPLE'S LIVES LIKE FOOD AND GAS!_

With this said, studio executives and producers are buying new
screenplays, especially those with highly marketable concepts that
they can easily sell! But, as I said earlier, because of the way the
economy is now, studio executives do not have much room for error.
This means you are REQUIRED to come up with a marketable movie idea
and you have to write commercially if you stand a chance to make it.

And I'll teach you exactly how to do that!

If you can follow the basic laws of marketing (as I will lay out for
you), you will be able to sell your highly-marketable movie story
within SECONDS!

WRITE FAST, BREAK IN EVEN FASTER!

MYTH #6: IT'S NOT WHAT YOU KNOW, IT'S WHO YOU KNOW. IF YOU AREN'T
CONNECTED, YOU'LL NEVER GET YOUR FOOT IN THE DOOR LET ALONE SELL
ANYTHING!

When people tell me this, I laugh. It is the oldest, most untrue lie
that's been circulating around Hollywood since the turn of the LAST
century. Maybe in the old days of Hollywood people had to rely more on
connections and contacts to break in, plus having to spend some time
on a producers couch just to "break in."

_But times have changed...A LOT!_

AGAIN, IF YOU HAVE A HIGHLY MARKETABLE MOVIE CONCEPT AND A
WELL-WRITTEN SCRIPT, YOU WILL NOT ONLY FIND IT EASY TO \"BREAK IN\"
BUT YOU WILL HAVE A RED CARPET ROLLED OUT FOR YOUR ENTRANCE INTO THE
FILM INDUSTRY!

Movie producers and studio exectives don't care what you look like,
what sex you are, what color your skin is, how old you are or where
you live in the world. If you can give them the next hot movie
concept, you have an instant GOLD TICKET PASS into Hollywood.

If you want an opportunity in being successful in this industry,
DROP all of your pre-conceived ideas NOW and read about how your
future is going to be like as a super successful, highly paid
Hollywood screenwriter.

From my complete course, you'll discover how to...

* COME UP WITH INSTANT, HIGHLY MARKETABLE MOVIE IDEAS THAT WILL
SELL!
* WRITE YOUR SCRIPT FAST USING MY SECRET, NEVER-BEFORE-REVEALED
\"CARBON COPY\" METHOD USED WITH MY \"MOVIE REEL\" METHOD!
* USE OTHER PEOPLE TO WRITE YOUR SCRIPT FOR YOU IF YOU JUST WANT TO
BE AN \"IDEA\" GUY OR GAL!
* BREAK INTO HOLLYWOOD WITHIN HOURS OF COMPLETING YOUR FIRST HIGHLY
MARKETABLE MOVIE IDEA!
* CONTACT INFORMATION OF AGENTS AND PRODUCERS LOOKING FOR YOUR
MATERIAL NOW!
* PITCH MOVIE IDEAS ONLINE AND GET A DEAL VIRTUALLY INSTANTLY!
* GET YOUR MOVIE IDEAS AND SCRIPTS TO THE RIGHT PEOPLE TO
STREAMLINE YOUR CAREER AS QUICKLY AS POSSIBLE!
* GO FROM A HOLLYWOOD NOBODY TO A SOUGHT-AFTER HOLLYWOOD
SCREENWRITER USING MY 30-DAY ACTION PLAN!
* TEN TOP KILLER TEMPLATES THAT ARE THE BASE OF THE HOTTEST
BLOCKBUSTERS FOR YOU TO USE FOR YOUR OWN MOVIES.
* AND MUCH, MUCH MORE!

Now, you're probably asking yourself, "Why is Moni Share interested
in my success in Hollywood that she would share these secrets with
me?"

First of all, it won't create anymore competition for me to share
these secrets with you because there are LOTS of opportunities in
Hollywood for talented screenwriters.

And second of all, when I reach out to build relationships with
people, I usually end up striking up a life-long friendship with many
of my students including it being a beneficial relationship for us
both with some of the joint writing projects I've gotten to
participate in.

Two of my projects have hit the big screen and have become
international blockbusters. Since I chose not to share credit on the
projects (as per our financial agreement) I'm unfortunately unable to
tell you what the titles of those films are (because of the legal
contracts I'm binded to). But it's projects like those that are
brought to me by the contacts I've made with people just like you that
have created a very satisfying career for me.

By the way, I NEVER steal people's script ideas. If you were ever to
come to me with your movie idea, after you sign a legal disclosure
allowing me to see your project, I would never take or steal your
movie pitch or idea.

How You Can Go From a Hollywood Nobody
to a Hollywood Power Player By This Time Next Year!

Can you imagine that YOU in the next 12 months could...

* Become a highly-paid, sought-after screenwriter...
* Become "famous" within Hollywood's "inner circle"...
* Be part of the creative process as your first screenplay gets
produced...
* Showing up on the "set" to watch your screenplay get shot...

AND IN 24 MONTHS YOU COULD BE...

* Watching your screenplay in action as you attend the premier of
your blockbuster movie...
* Pitching and selling more exciting movie concepts, watching your
bank account explode in the seven-figures...
* Becoming the hottest new screenwriter of Hollywood...
* Even taking an acting role in your movie, if you so choose...

AND IN 36 MONTHS YOU COULD BE...

* Accepting an _Academy Award_ for _BEST SCREENPLAY_...
* Directing and/or producing your next film...
* Being the star of your next film...
* Working with the biggest stars and talent of Hollywood...

_AND THAT'S JUST THE BEGINNING._

WHERE WILL YOU BE IN 5 YEARS FROM NOW? OR 10 YEARS?

THE SKY IS THE LIMIT!

So, how do you get from Point A (where you are now) to Point Z
(being a highly-paid, sought-after screenwriter)?

I REVEAL ALL OF MY SECRETS IN MY NEVER BEFORE PUBLISHED, NEVER
BEFORE SEEN IN MY BRAND NEW 2010 _SCREENWRITING RICHES COURSE_. MUCH
OF THIS HIGHLY-GUARDED, LITTLE-KNOWN INFORMATION HAS NEVER BEEN
REVEALED BEFORE BY ANY SCREENWRITING \"GURU\" OR AUTHOR.

_WHAT'S IN THE SCREENWRITING RICHES COURSE?_

* 2010 MANUAL: Super thick, power-packed manual on every secret you
need to find your marketable movie concept, write quickly, and sell
our screenplay or pitch in record time!
* 30-DAY ACTION PLAN: A specific day-by-day plan to use to catapult
yourself to a fast-tracked Hollywood screenwriting career.
* 2010 RESOURCE DIRECTORY: Includes 50 producers and agents who
will take unsolicited queries. (This bonus alone is worth $97 by
itself!)
* 1 1/2-HOUR AUDIO SEMINAR: My special one-on-one audio seminar
revealing to you in-depth secrets on everything from coming up with a
movie idea to selling it quickly.
* FREE BONUS: 30-DAYS OF EMAIL CONSULTING WITH ME PERSONALLY: As
me as many questions about screenwriting and/or breaking into
Hollywood as a screenwriter as you can in 30 days. You have direct
email access to me.

THIS NEVER-BEFORE-REVEALED COURSE CHOCK-FULL OF GROUND-BREAKING
SCREENWRITING SECRETS IS ALL FOR A LOW, ONE-TIME FEE OF ONLY $397 $97!


THIS COURSE IS 100% DOWNLOADABLE. YOU NEED ADOBE ACROBAT READER AND
WINDOWS MEDIA PLAYER (OR EQUIVALENT). APPROXIMATE DOWNLOAD TIME IS 5
MINUTES. YOU WILL NOT BE SHIPPED ANYTHING IN THE MAIL.

60-DAY MONEY-BACK GUARANTEE

If, for whatever reason, you are unsatisfied with this product you
have up to 60 days to ask for a refund of the entire purchase price.
No questions asked!

From Trash Collector to 
Getting an Agent and Recognized by Warner Bros!

"Being a successful screenwriter has been a goal for me for at least
10 years.  I even moved out to California and lived with a buddy of
mine for a few months before coming back to Florida after realizing
that it wasn't going to be as easy as I thought it would be.  I ran
into you and you critiqued my script, through it had a chance, and I
made the revisions you suggested.  Thanks to you, I recently signed
with an agent and he has already shown the script to Warner Bros. 
They're really interested and want to know what else I have.  I'm
just about finished with my second screenplay since I've already
pitched them the concept and they love it.  I'll keep you posted on
the Warner Bros. deal.  Thanks again."

Kevin (with wife Sarah) Caravine
Florida

FROM A HOLLYWOOD NOBODY TO A SCREENWRITER/DIRECTOR!

"Thank you for opening so many doors for me.  When I started to
break into Hollywood I didn't know the first thing about anything. 
You helped take me by the hand through the entire process including
help with rewriting my script.  I ended up optioning my script for a
year then got the rights back.  I was able to get financial backing
to direct the picture on my own and I have major studio backing for
distribution.  If you didn't guide me through the process, I would
have never gotten this far."

Steven D.
California
For how much longer are you willing to put your screenwriting career
on hold before you decide you want to FASTTRACK your success?

Now is the time to make your career happen in a BIG WAY! Doors will
only open for you when you decide to break them down yourself. No one
will seek you out. You have to command your presence in the film
industry if you have any chance of being successful.

_And your time has come..._

Don't you think you owe it to yourself to make this step for your
career? For yourself? For your future?

If you have to even think about whether you want this or not for
longer than a second then it PROBABLY ISN'T FOR YOU. Why? Because
those who are SERIOUS about their success don't have to think about
this at all. It's a no-brainer.

_WHO SHOULDN'T GET THIS SYSTEM?_

Those who...

* Want it for free -- if you think I need to share my secrets with
you for nothing then you obviously don't value your future in
Hollywood too much!
* Think it's not possible -- life gives you what you command that
it will and if you don't think this is possible for you then you've
already sealed your fate!
* Don't have the time to come up with new stories or scripts --
with any "career" you have to put in some time and effort to get the
fruits of your labor!
* Don't believe a damn word I have to say -- then best of luck to
you with your career as we part ways from here!

_WHO SHOULD GET THIS SYSTEM?_

Those who...

* Are fired-up and ready to go -- and are ready for Hollywood to
take notice of you in a BIG way!
* Really want the REAL SECRETS to breaking into Hollywood as a
"pitcher" or screenwriter!
* Want some assistance in making their dreams happen!
* Want to make huge sums of money in this business -- AND FAST!
* Want an incredible advantage in breaking into Hollywood as a
screenwriter!

Are you ready to get started? to purchase this course now!

In the meantime...

I'll see you at the movies!

Sincerely,

_MONI SHARE _
MONI SHARE

MONI SHARE IS AN INDUSTRY VETRAN WHO HAS OPTIONED AND SOLD OVER A
DOZEN SCREENPLAYS. SHE ALSO COACHES NEW SCREENWRITERS INTO
HIGHLY-PAID, HIGHLY-SUCCESSFUL SCREENWRITING CAREERS.

_

WANT TO BE A HIGHLY-PAID_ HOLLYWOOD SCREENWRITER? FIND OUT HOW
ONE SCREENWRITER BROKE IN WITH NO EXPERIENCE AND SOLD HIS FIRST MOVIE
IDEA FOR [REVEALED IN REPORT]! AND HOW ANYONE CAN FOLLOW A _SIMPLE
SUCCESS BLUEPRINT_ TO HAVE THE HOLLYWOOD SCREENWRITING CAREER YOU'VE
ALWAYS WANTED! GET INSTANT ACCESS!

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WE NEVER SHARE, SELL, OR TRADE YOUR PERSONAL INFORMATION WITH ANY
OTHER COMPANY OR ORGANIZATION. _GUARANTEED!_

Content copyright . Moni Share, Inc. All rights reserved.