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[Music Theory for Producers]
Music Theory for Producers
I wrote Music Theory for Producers because, as a producer, I didn’t feel that there were any books on music theory that were designed specifically for my needs. Producers are an interesting group; they aren’t just musicians, and they aren’t just engineers. They have to have a little bit of everything to get the job done.
This guide is a no-frills look at music theory that skips the less important details and goes straight to the essential information. You’ll learn about rhythm, harmony, and melody, including building chord progressions and writing instrumental hooks.
The best part about this book is the song analyses. For every section, there are several songs that are broken down in terms of the chapter topic. With this guide, you’ll learn the theory behind:
Elevators – OutKast The Otherside – The Roots
Apache Rose Peacock – RHCP Blow My High – Kendrick Lamar
Xxplosive – Dr. Dre Call Tyrone – Erykah Badu
Get Lucky – Daft Punk Let Me Watch – MF DOOM
Ms. Jackson – OutKast Poundcake – Drake
Hol’ Up – Kendrick Lamar Pursuit of Happiness – Kid Cudi/Ratatat
Seventeen Years – Ratatat Big Poppa – Notorious B.I.G.
Stan – Eminem Kids – MGMT
Breaking Away – Ratatat Girl – Destiny’s Child
Music Theory for Producers is available on Amazon for around $22, but buying here, directly from the author (me), you can have an instant and secure PDF download for only $12.
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If, for any reason, you are unsatisfied with the book, or you have any questions, contact us using this form and we’ll get back to you shortly.
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Thanks,
Siberius
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What They’re Saying…
"It's very well written. I like how simply you describe things using terms that the average person would know. I've had a couple years of theory training and I still learned a thing or two just by quickly glancing it over. "
Bryce D.
"I am a lyricist, but I have always aspired to learn production. Music theory seemed necessary to further my craft so I've been taking classes. This book is funny and it covers just about all of the fundamentals I learned in MUS 101. You did a good job of explaining methods and terms, as well as vocabulary.
In school our music classes were very technical and my teacher didn't take as much time to explain the larger elements of a song. When you laid out the building blocks of harmony, rhythm, and melody it struck a chord. Obviously those are pretty simple fundamentals, but it's easy to over complicate. The song analysis was clever because it related to the reader and gives people a context to train their ears."
Natalie G.
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