Excerpt from product page

Get Your Music On TV | Get your music in commercials, TV segments
and more!
*
*
*
*
*
*
*
*
*
*
*

Get Your Music In Commercials, TV Segments And More!

If you want to earn a living getting your music in commercials and on
TV  OR IF YOU WANT TO KNOW HOW TO JUMP OVER HURDLES AND FIND THE ONE
PERSON THAT ALMOST ALL MUSICIANS OVERLOOKThen I _guarantee_ that
this will be the most important letter you'll read this year.

YOU ABSOLUTELY DON'T HAVE TO WASTE YOUR TIME AND TALENT COMPETING
WITH DIME A DOZEN MUSICIANS ON SERVICES LIKE TAXI. OR HUNTING DOWN
REPRESENTATION THAT TELLS YOU WHAT YOU WANT TO HEAR AND FILLS YOUR
HEAD WITH EMPTY PROMISES. YOU CAN GET YOUR MUSIC INTO THE HANDS OF
PEOPLE WHO MAKE DECISIONS. TODAY!

All you need to know is how to find the most overlooked person out
there who desperately needs new music. Right now.

During my time in New York, I had tons of friends in bands waiting to
get discovered, schlepping their equipment around in cabs and on the
subways, performing in dive bars in front of a dozen people who didn't
care about their real talent. Then leaving with $10 in their pocket
and a free beer before doing it all over again the following weekend
in between their dreaded 9 to 5 day job. Talk about depressing.

THERE ARE THOUSANDS OF COMMERCIALS AND THOUSANDS UPON THOUSANDS OF
HOURS OF TV SEGMENTS OUT THERE AND THEIR DEMAND FOR NEW MUSIC IS
UNBELIEVABLY HIGH. IN FACT, THE SUPPLY OF MUSIC BARELY MEETS THE
DEMAND.

I PERSONALLY PLACED 100S OF SONGS FOR COMMERCIALS AND TV SEGMENTS
OVER THE YEARS. AND YET I HAVE ABSOLUTELY NO BACKGROUND IN MUSIC. THIS
IS WHERE MUSICIANS GET LOST IN THE JOURNEY AND WHITE NOISE OF THEIR
CAREER. THEY JUST KEEP POUNDING ON THE SAME DOORS EVERY OTHER MUSICIAN
POUNDING ON. INSTEAD OF FINDING PEOPLE LIKE ME, LITERALLY WAITING FOR
MUSIC TO COME INTO MY OFFICE. I spent over 10 years working on
commercials and TV segments and was _constantly _in need of new
music for broadcast. And as long as the music was professional and
properly packaged, I never even knew or cared how much experience a
musician had. Even if a musician had none. I just needed music as
quickly as possible.
IT WAS RIDICULOUSLY EASY FOR JUST ABOUT ANYONE TO GET MUSIC INTO MY
HANDS. There was no audition process or secret connection to meet me.
I would listen to just about any mp3, CD or music portfolio link that
came my way. In fact, it made my job so much easier to have new music
pour in on a regular basis. I was completely stressed out trying to
find it otherwise.
There was a catch. The music had to be formatted properly and sound
professional. Without a few key elements, red flags were raised that
the musician didn't know what he was doing. Their music was tossed. 
Musicians only needed to know where to find me and what I did for a
living. And no. My job WAS NOT any of the following: 
* Music Supervisor * Creative Director * Agency Producer
* Musicologist * Music Editor * Audio Engineer * Sound Mixer
* Network Producer * Music Producer

WHY SITES LIKE TAXI ARE 100% NECESSARY FOR MOST MUSICIANS AND YET
UNNECESSARY IF YOU KNOW THE RIGHT PERSON WAITING_ _FOR NEW MUSIC.

There's such an easier way to break into the industry than
drinking away your sorrows that no one appreciates how hard you work
at your music. Or how about buying into this idea you have to wait
around for years and pay your dues instead of taking immediate action?
Or maybe wasting away the best years of your life and career just
hoping to get noticed on sites like Taxi. The same site thousands of
other musicians are waiting around on to get noticed. 

THERE'S A MUCH SIMPLER WAY TO PACKAGE UP YOUR MUSIC AND GET IT INTO
THE RIGHT HANDS. RIGHT NOW!
You could be making hundreds to thousands of dollars lisencing your
music for commercials and TV segments starting TODAY. But only if you
take a short cut and talk directly to the people who matter. 

THE LITTLE KNOWN MUSIC INDUSTRY SECRET FOR LANDING YOUR MUSIC IN
COMMERCIALS AND IN TV SEGMENTS.

HOW TO GET YOUR MUSIC IN COMMERCIALS AND TV

UPDATED FOR 2012
BEFORE YOU START THINKING THAT THIS IS A REPEAT OF OTHER "HOW TO
BREAK INTO THE MUSIC BUSINESS E-REPORTS" OUT THERE, LET ME BE CLEAR.
IT'S NOT. 
NO ONE ELSE OUT THERE IS WRITING ABOUT THIS SPECIFIC METHOD WITH
EVEN A SHRED OF DEPTH. I COULD ONLY FIND TWO PLACES THIS TECHNIQUE IS
EVEN MENTIONED ONLINE. ONE IS IN A DATED PRESS RELEASE. AND ONE IS
BURIED IN A MENTION IN AN ONLINE FORUM. BUT NEITHER EXPLAIN HOW TO
ACTUALLY DO THIS. ONLY THAT IT _CAN_ BE DONE.
Yes. It still takes a lot of hard work. You still need to be a
talented musician. You still have to hustle and put yourself out
there. BUT YOU CAN ABSOLUTELY JUMP OVER THE HURDLES AND INSTANTLY GET
YOUR MUSIC INTO THE HANDS OF PEOPLE MAKING MUSIC DECISIONS. And who
actually want your music. Now. So can you use Taxi, crowd sourcing
sites, enter contests, network and try to find music supervisors and
producers to break in to the music industry? Sure. All of those ways
can certainly lead to getting your music heard. But how many other
musicians are out there pounding on the same doors and traveling down
the EXACT same path? Saturating the market before you even get there?
Or you could start crushing the competition_ immediately_. You can
take action on these techniques and beat out musicians who are
actually _better_ than you again and again. Today! You won't learn
how you can join expensive programs to gain representation in this
resource. Or how to join a crowd-sourcing effort to get your music out
there. Or post a bunch of homemade music videos on YouTube hoping
someone will notice. Then sift through comments of haters and spammers
trying to get you to sign-up for their service.
BUT YOU WILL DISCOVER HOW THIS SEGMENT OF THE COMMERCIAL AND TV
INDUSTRY IS LOOKING FOR NEW MUSIC EACH AND EVERY DAY. I WAS DESPERATE
FOR MUSICIANS TO SEND ME THEIR WORK JUST TO GET MY JOB DONE. 
And therein lies the power of _How To Get Your Music in
Commercials and TV__._
This 37 page blueprint (37 pages at 9,903 words) TALKS ABOUT THIS
BUSINESS LIKE YOU'VE NEVER HEARD IT BEFORE. And in the simplest terms.
It's not a lot of fluff. The techniques are clear and to the point and
can be used _immediately. _
AND IT DOESN'T COVER A MILLION ASPECTS OF MY PROFESSION AND INDUSTRY
TIDBITS THAT HAS ABSOLUTELY NOTHING TO DO WITH YOU OR YOUR MUSIC. IT
ALSO DOESN'T GO INTO A LOT OF TEDIOUS DETAIL ABOUT LEGALESE OR JARGON.

I jump right in to discuss how to get your music in the right hands.
Immediately. You'll see:  EXACTLY WHO TO SEND YOUR WORK TO AND
WHERE TO FIND THEM. MOST MUSICIANS COMPLETELY OVERLOOK THIS ROUTE AND
HAVE NO IDEA HOW MUCH MUSICAL POWER IT ACTUALLY HOLDS.

 HOW TO PACKAGE AND FORMAT YOUR WORK SO NO ONE IN THIS BUSINESS WILL
EVER KNOW YOU HAVEN'T BEEN SELLING YOUR MUSIC FOR YEARS.  

 FIND OUT IF YOUR MUSIC IS REALLY RIGHT FOR COMMERCIALS OR TV. AND
HOW YOU CAN MAKE IT BETTER. 

 COMMON AND EASY TO AVOID MISTAKES THAT MUSICIANS MAKE THAT GET
THEIR WORK TOSSED OUT. 

 WHAT COMMERCIALS AND TV SEGMENTS ARE DYING TO HEAR IN YOUR MUSIC. 


 WHY THE DURATION OF YOUR MUSIC CAN MAKE OR BREAK YOU. EVEN IF IT'S
JUST A SINGLE SECOND TOO LONG. 

 HOW TO SPY ON THE COMPETITION TO IMMEDIATELY TELL YOU IF YOU'RE ON
THE RIGHT TRACK. AND HOW TO BLOW THEM OUT OF THE WATER.

 WHY SOME SONG TITLES IMMEDIATELY GET NOTICED FOR CONSIDERATION AND
OTHERS ARE COMPLETELY IGNORED. 

 THE NIT-PICKY DETAILS OF YOUR WORK THAT WILL SET YOU APART FROM
NOVICES. 

 HOW TO APPROACH INDUSTRY PLAYERS THE RIGHT WAY TO FIND OUT EXACTLY
WHAT KIND OF MUSIC THEY WANT.

 WHY YOU NEVER HAVE TO WAIT AROUND FOR SOMEONE TO DISCOVER YOU
AGAIN.
This blueprint is so precise and easy to understand - any new or
seasoned musician could follow it and get their music into the right
hands. 

One Necessary Extra I Included
in the New 2012 Edition
After years of placing music in TV commercials and segments, I can
tell what music will work for the industry and what will not in about
five seconds flat.
You need to know how to make your music the best it can possibly be
and serve the demand that's out there. That's why I've included
exercises on how to make your music better and make sure it fits the
industry's needs. But you DON'T need a lot of technical knowledge.
It's easy.
1) THESE TECHNIQUES ARE NOT ABOUT GETTING RICH QUICK. You will
still need to do the work involved. You still need to be a talented
musician. You still need a quality, polished, top-notch product. 
2) I TEACH YOU THE ACTUAL TECHNIQUES SUCCESSFUL MUSICIANS USE TO
SEND OUT THEIR WORK TO PEOPLE IN MY PROFESSION - NO MORE AND NO
LESS. So don't be shocked that I DON'T talk about every aspect of the
music business or a laundry list of sites to submit your music to or
the legalese of contracts, licensing and rights.
3) I PROMISE THAT EVEN IF YOU'RE A SEASONED PRO, YOU'RE GOING TO
LEARN SOMETHING NEW HERE. If you're here to learn, I'm ready to
teach! 

THESE TECHNIQUES AREN'T ABOUT GETTING FAMOUS OR RICH QUICK IT'S ALL
ABOUT GETTING YOUR MUSIC HEARD WHILE MAXIMIZING YOUR RESULTS FOR
PLACEMENT IN COMMERCIALS AND TV.

* I don't have a fancy background in music or a job you've probably
thought much about. But I've placed hundreds of songs in commercials
and TV segments.

* I didn't work with music managers or all established musicians. I
placed songs from musicians and never even knew how much experience
they had. If they had any at all.

* People in this profession need new music _constantly and
desperately_ and will listen to just about anything to find the right
piece. The demand is unbelievably high. 

This is the reality: You can be a complete struggling unknown, use my
techniques, and still get your work into the right hands to be heard.
Today!

_How To Get Your Music In Commercials and TV _

_only_ costs $49.

Right now a membership with Taxi costs almost 5x as much. And that's
just for 2-years of service where thousands compete for the same
handful of gigs.

Making it as a working musician is not an elusive goal. It's not even
a terribly difficult goal with the right talent AND business savvy. It
has to be both to make it work. Your product has to meet the demand.
And you have to know how to meet it.

But I know all about the time and effort it takes for musicians to
get from Point A (idea stage with your music) to Point Z (placing your
music). It can be a long and tedious journey.
NOW LET ME ASK YOU A QUESTION How many times have you ended up
well past Point Z, still waiting for anyone out there to listen to
your music? Let alone take a chance on you?
Isn't THAT even more frustrating?
To spend years composing original music and never realizing the way
you're presenting yourself and the simplest mistakes you're making are
costing you exposure and placement? 

You're just spinning your wheels while working at the same gig you
said you would quit when you figured out how to make money with your
music. Talk about a reality check.
Not every song you create will work for commercials or TV segments.
That's life. There is still a hustle to finding the right project at
the right time. And there is still competition out there. BUT YOU
CAN BE A A SERIOUS CONTENDER IN THAT COMPETITION AND BECOME A BIG
INDUSTRY PLAYER WHOSE TALENT IS RECOGNIZED. Not someone on the
outskirts being beaten down by every other musician and industry
player.
Make the hard work about creating quality music. NOT about getting
it heard by people who can actually make the real decisions to license
it. 
THERE ARE WAYS TO SIGNIFICANTLY SKYROCKET YOUR ODDS FOR SUCCESS THAT
ARE NOT ALL THAT DIFFICULT TO EXECUTE. YOU CAN COMPETE WITH MUSICIANS
MORE TALENTED AND WITH MORE CONNECTIONS THAN YOU - AND WIN.
Carefully choosing what music you make and how you package it is
definitely one of those ways.
SO BEFORE YOU START THINKING THAT $49 IS TOO MUCH TO SPEND ON
INSIDER INFORMATION THAT YOUR PEERS BLATANTLY IGNORE - I WANT YOU TO
CAREFULLY CONSIDER THE GREATER COST OF KNOWING YOU HAVE WHAT IT
TAKES BUT HAVE NO IDEA HOW TO TAKE THE RIGHT STEPS TO GET THERE. AND
DECIDE IT'S BETTER TO JUST WAIT AROUND AND GET DISCOVERED WITH
EVERYONE ELSE.
I SHOULD PROBABLY POINT OUT I NEVER WENT OUT AND "DISCOVERED"
ANYONE. ALL OF THE MUSIC I PLACED IN COMMERCIALS AND TV
CAME _DIRECTLY_ TO ME BY MUSICIANS OF ALL EXPERIENCE LEVELS. AND I
NEVER USED A SITE LIKE TAXI TO FIND THEM.
If you're already finding success with your music and are currently
in the game, I wish you nothing but luck. You really don't need this
blueprint. There is certainly more than one way to get your music into
commercials and TV. 

THIS JUST HAPPENS TO BE ONE OF THE EASIEST AND SIMPLEST METHODS
AROUND THAT MOST MUSICIANS OVERLOOK.
But if you want to open the flood gates and identify thousands of
people and businesses in my profession who desperately need new music
right now - I'll show you what you need to know. 

YOUR PURCHASE COMES WITH A FULL 100% 60 DAY RISK FREE, MONEY BACK
GUARANTEE - NO QUESTIONS ASKED. If you don’t feel satisfied with
the information after reading How To Get Your Music In Commercials and
TV, I WILL HAPPILY REFUND 100% OF THE MONEY YOU PAID. Get a copy of
_How To Get Your Music In Commercials and TV_. Read it. Put my
knowledge to work. If you don’t think it’s going to work for you,
return it within 60 days and you’ll receive a full refund. Get a
copy of _How To Get Your Music In Commercials_ and TV. Read it. Put my
knowledge to work. If you don’t think it’s going to work for you,
return it within 30 days and you’ll receive a full refund. 
NO HASSLES, NO ARGUMENTS. JUST YOUR MONEY BACK.

ARE YOU READY TO TARGET INDUSTRY PROS WHO ARE EAGER TO FIND NEW
MUSIC EVERY DAY? _How To Get Your Music In Commercials and TV_ is a
PDF document and ready for instant download. You can read it the same
day you order it. 

You'll get IMMEDIATE ACCESS to the blueprint.

HERE'S TO YOUR SUCCESS! _~ CARSON KELLY_

GetYourMusicOnTV.com Copyright 2012 Carson Kelly | All rights
reserved | Contact CarsonKellyMusic@gmail.com

ClickBank is the retailer of this product. CLICKBANK® is a registered
trademark of Click Sales, Inc., a Delaware corporation located at 917
S. Lusk Street, Suite 200, Boise Idaho, 83706, USA and used by
permission. ClickBank’s role as retailer does not constitute an
endorsement, approval or review of this product or any claim,
statement or opinion used in promotion of this product.

Font Size:

* -
* +

Sites you may be interested in