how to license your music into film and television
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how to license your music into film and television
Learn it all with this definitive downloadable PDF guide! It
explains Film/TV Music Licensing using easy to understand language.
No, it's not brain surgery! But it is important to know how to do it
right!
You can easily and painlessly learn:
How licensing works...How you get paid...Who to send your music
to...What terms you need to know about...and much more...and all of it
is written in everyday english.
Empower yourself in music licensing for $25.
Is your music career worth $25 to find out:
be patient while it loads
I have been a music supervisor since 1995 - and a songwriter for
over 30 years - and I know how things work where music and Film/TV are
concerned. I know how to help you get noticed by the global
entertainment community. I know how to help you build your career. I
am interested in you and your music.
Without you there would be no music in movies and television.
Because I have worked as a songwriter - and as an indie label owner
and publisher - I know what it's like to be where you are. Believe me
when I say this:
This guide is written with your future in mind.
If you are a Songwriter, Recording Artist, Artist Manager, Label
Owner, Music Publisher, or simply someone trying to figure out how the
music business works, this guide will explain - in plain English -
everything you need to know to effectively license music into movies
and television.
You will learn who to send music to and how best to do it. You’ll
also learn every key dealpoint and how to negotiate effectively. And
most importantly, you will learn where the money is in music
licensing.
do you need to know this information?
FIlmmakers pay for music all the time.
filmed entertainment is a huge business
the power of music licensing
ABOUT THE AUTHOR
As a professional Music Supervisor, Ron Proulx works every day with
Television Producers and Filmmakers to find the right music for their
productions.
He has worked on over 80 films and 350 television episodes, and
licensed more than 1,200 songs over his 10-year career.
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There’s never been a more exciting time to have the world discover
great music. Every year, new artists are introduced to new fans by way
of a song in a movie or in television.
Every time a song appears in a television show, it generates income
for songwriters and publishers.
If you’ve read this far, you probably want to learn more about
licensing music into film and television.
This guide will help you like it’s helped hundreds of others.
It is written in everyday plain English and is not brain surgery. It
is practical and to the point. It discusses everything one needs to
know to successfully license their music into movies and television.
Certainly I would like to sell copies of this guide, but this is not
the only reason that I have written it. Several years ago I was an
artist with only vague ideas of how to get my songs into film and tv.
Once I became a music supervisor and learned what it took to be
successful in this area I realized that I had to write this guide to
let others know what I had found out.
If you read this guide you will no longer be in the dark in this
area of your career.
Best of luck, Ron Proulx
comments from the author
More acts are getting their break through film and tv licensing than
ever before.
Even less mainstream genres of music - blues, jazz, world, folk,
electronic - have a marketplace and fullfil a need somewhere in the
hundreds of new television shows and movies that are produced every
year.
Further, you probably know that when music is licensed for film and
TV, that there are licensing fees paid, as well as future money from
performing rights when the show is aired.
For songwriters and music publishers this is an extremely powerful
economic lift.
Also, remember that over half of US movie sales (including home
video) come from overseas. This guide explains how to increase the
chances of your music getting picked up.
something to think about
You probably know at least one of The Rembrandts' songs: the theme
song from the wildly successful TV series Friends.
The Rembrandts might have stayed a relatively unknown band if their
management, their record company, or their publisher didn't try and
get their songs licensed for film and television.
The success of Friends has made the writers of the theme from the
show rich.
Licensing is simply the best way to increase revenue and exposure in
a way that countless months and years of touring could never do for an
artist and writer.
Every year, film and television producers spend several billion
dollars writing and producing new programming. With thousands of
television, cable and satellite stations — most broadcasting 24/7
— they simply have got to fill up that airtime and - as you see
yourself when you watch movies and television - the use of music is
neverending.
Whether it’s comedy, drama, movies or kids’ shows, the one thing
all these programs have in common is that they all need and use
music...and tons of it..
In my business, for a typical 13 episode season of a single 1/2 hour
series, I might use 5 different songs, or over 60 songs total. And
that’s just one series!
Ron Proulx, Author and Music Supervisor - discusses the guide.
To receive the guide in PDF format for immediate download - locate
the CLICK HERE BUTTON elsewhere on this page. It accepts all major
credit cards, hassle-free.
CUSTOMER FEEDBACK
“...I wanted to say how lucky I felt stumbling upon this
publication...You could be charging way more for this, but I’m glad
you have kept the price reasonable so that anyone who is serious about
making money from their music through film and television can access
this valuable information”
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-Arnold S., Toronto, Canada
“...I used to be completely lost in all the legal jargon. Your
guide explains clearly what everything is.”
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-John F., Los Angeles, USA
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-“...I just finished reading your guide and let me say a big THANK
YOU! It’s been a huge help to my indie label.”
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-- Peter H., London, UK
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-“...Your guide has helped me make so many more deals than I ever
could have without it.”
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-- Rob B., Vancouver, Canada
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