Excerpt from product page

Report Area |
*
*
*
*
*
*
*
*

WHY MOST SONGWRITERS HAVE NO LUCK WITH THEIR MUSIC AND WHAT YOU CAN DO
ABOUT IT

As a Songwriter, It's Important to Know There Are Methods You Can Use
in Your Songs to Get People to Want to Hear Your Music We'll Talk
About Those Methods Here

FROM: Anthony Ceseri

RE: Writing Songs Your Listeners Will Be Excited About

DEAR SONGWRITING FRIEND,

HAVE YOU EVER HAD ANY OF THESE THINGS HAPPEN WITH YOUR MUSIC?

* You wrote a song you felt was really strong, but it just didn’t
get the response you hoped for. You were thinking it would be _the_
song to propel you to greatness, but it never happened.
* You had a song that people told you they loved, but still no one
actually bought it or told their friends about it.
* You submitted a song to a radio station or for placement in a tv
show or film,  but never heard back from anyone, leaving you to
believe your song wasn't up to their standards.
* You posted your song to a social media site, thinking you’d get
a ton of great feedback, but hardly anyone commented on it at all. And
if someone did, it was one of your friends.
* Or maybe you've written a great song that had some success, but
you haven’t been able to recreate that experience for yourself. (By
the way, if that’s the case, you probably lucked into what works
without understanding what it was. That’s why you weren't able to
make it happen again.)

IF YOU'VE EXPERIENCED ANY OF THESE SCENARIOS  YOU JUST MAY NEED TO
KNOW THE SPECIFIC ELEMENTS THAT MOST SUCCESSFUL SONGS HAVE IN COMMON.
After all, those elements are what's making them appealing to
listeners. Writing something that’s “cool” is one thing, but to
have it be something desired by a lot of people is a something
entirely different.

THE GREAT PART IS YOU CAN INCORPORATE THESE ELEMENTS INTO YOUR MUSIC
WITHOUT COMPROMISING YOURSELF AS AN ARTIST. You might
be afraid that if you learn or apply certain techniques to your
music, your songs will be too cookie cutter. You don't have to worry
about that. There are plenty of approaches you can use that will make
your music better, without forcing it into a sound you’re not
interested in. You’ll keep all your creativity, without becoming a
“cookie cutter” artist. It’ll just make your songs more
desirable to hear. By taking certain approaches to songwriting, you
can greatly increase the chance of your listener wanting to own it.

Do You Want to Be an Innovator?I used to think I was the greatest
songwriter around. The truth was I was far from it, because I hadn’t
learned any of the concepts that can make a song great.

I wanted to be an innovator and do whatever I wanted, but I
didn’t realize that BEFORE YOU INNOVATE YOU HAVE TO KNOW THE METHODS
THAT HAVE WORKED AGAIN AND AGAIN. _THEN_ YOU CAN STRAY FROM THEM. If
you just do whatever you what, whenever you want, without learning,
it’s a recipe for a song that’s just messy. Believe me, I learned
that the hard way. I once had a song that went from rock, to funk, to
jazz all in the same song! I thought it was great because it was
original, but needless to say my listeners had no idea where I was
taking them with that kind of music. I was trying to innovate before I
knew anything about what makes a song successful.

THEN I REALIZED THAT ONCE YOU KNOW THE IDEAS THAT GO INTO A
SUCCESSFUL SONG, YOU CAN USE THEM TO MAKE YOUR SONG GREAT, OR YOU CAN
CREATIVELY STRAY FROM THOSE SAME IDEAS TO MAKE YOUR SONG INNOVATIVE.
Either way, you win. But you have to know what those concepts are
first.

Once I realized my songs weren't working, I decided to build a
solid songwriting education for myself and make it my mission to know
what makes songs listeners want to hear. I read books, and went to
seminars and workshops given by the best and most accomplished
songwriting teachers around. I learned all the best tips, tricks and
techniques there are. Some of what I learned worked and some didn't.
But the stuff that worked, worked incredibly well.

As I started to learn more and more about songwriting, I developed
the ability to see what made successful songs work so well, while
other songs didn't   It became almost instantaneous when I listened
to a new song.

Apply The Best Ideas to Your MusicOnce I realized I could see songs
in this way, I realized I'd have to put these ideas into a book to be
able to give other songwriters the ability to clearly see what can
make their song work, while sparing them information that doesn't
work. Not to mention saving them time too.

And that's what I've done. I TOOK ALL THE BEST INFORMATION ON MELODY
WRITING, LYRIC WRITING, CHORD PROGRESSIONS AND EVEN COMING UP WITH
SONG IDEAS AND PUT IT INTO MY NEW EBOOK CALLED _HOW TO WRITE SONGS
THAT SELL_.

THIS BOOK WILL TEACH YOU TWO METHODS FOR WRITING A SONG FROM START TO
FINISH. The first method is called THE FIND INSPIRATION METHOD, where
you’ll learn how to specifically draw inspiration and get ideas from
other songs, and turn them into ideas that are completely your own.
You’ll be able to dismember a current song, examine the parts,
change them and then put them back together to create a whole new song
of your own. You’ll never understand an existing song (or your own
song) so well as when you take this approach.

The second method you’ll learn is THE DO IT YOURSELF METHOD, where
you won’t be relying on other songs at all. It’ll show you how
to create songs people want to hear completely from your own
brain.

If you decide to combine parts of these two methods together,
you’ll see great results. GREAT ARTISTS ARE ALWAYS LOOKING TO OTHER
ARTISTS FOR IDEAS, WHILE AT THE SAME TIME INNOVATING FROM THEIR OWN
MINDS. If you combine the two methods, you have a great opportunity to
do that yourself.

And you'll learn both the Find Inspiration Method and the Do It
Yourself Method for _each_ major component of your song: melodies,
lyrics, chord progressions and even your song's overall idea.

In the Melody Section, I'll Reveal to You:

* What the 2 components of a melody are, and how changing anything
aside from those two components won't affect your melody at all. (page
62)

* How to reference proven successful melodies to give people a
familiar sound that’s already great, while at the same time making
the melody completely your own. (page 63)

* How to easily create a catchy piece of melody in your song and how
to use it to keep your melody both interesting and memorable to your
listeners. This will keep it in their heads, so they’ll want to hear
your song more often. (page 65)

* How to change the rhythm of a melody to give it a completely
different sound. (page 69)
* How to change the notes in a melody (while keeping its rhythm) to
come up with a fresh idea. (page 70)

* A simple way to use the notes in your chords to come up with a
melody. (page 72)

* How to use the notes of a scale to write a melody, so you won't
have to rely on simply coming up with something off the top of your
head anymore. (page 72)

* How to organize your notes to come up with a singable melody your
fans will love. (page 81)

* How to create a powerful contrast in your melodies as your song
travels from your verse to your chorus, in a way that will keep your
listener excited each time they hear a new part of your song. (page
83)

* How to be consistently writing melodies as you go about your daily
activities. (page 85)

* How to strategically separate your melody from your lyrics to come
up with a marketable sound. (page 85)

* How to make your listeners want to hear your melody again and
again. (page 87)

* I'll also give you a "cheat sheet" for all the notes you can use
in your melodies for _any_ key your song is in, making it super easy
to come up with a melody over any chord progression. (part 2 of your
bonus book)

In the Lyrics Section, You'll Discover:

* Why using specificity in your lyrics can be a powerful way to get
your listeners intrigued with your story. (page 92)

* How to engage the five senses as a way of painting a very visual
picture with your words, which will pull your listeners into your
story and keep them engaged. (page 93)

* What 2 senses you can engage, in addition to the standard 5, to
really keep your lyrics exciting. (page 97)

* How to write metaphors, which are mandatory element of great lyric
writing. (page 98)

* How the number of lines you use in your song can affect what your
lyric is about, and how to use that to your advantage as you write.
(page 99)

* How to highlight the most important phrases of your lyrics (like
your song's title) so they stand out to your listeners. (page 102)

* How to write your lyrics to a rhythm, so you don’t end up with
wordy, awkward sounding lyrics and melodies that will bore your
listeners. (page 105)

* How to write lyrics to music in a way that gives your words the
biggest impact. (page 107)

* How to use the length of each phrase in your song as an important
tool in your lyric writing to highlight what your lyrics mean. (page
111)

* How to align your lyrics with your melody to create a song that
easily resonates with your listeners. (page 115)

* What the the different types of rhymes are and the best time to
use each one for an impactful listening experience. (page 121)

* Why using a physical rhyming dictionary can help you write better
lyrics.  You'll also see how to use one. (page 124)

* What the most popular rhyme schemes are and how you can alter them
to positively impact your lyrics. (page 127)

* How to avoid having your phrases sound awkward. (page 132)

* How and why to avoid cliches, and how to use them on occasion to
create a whole new meaning no one’s ever heard before. (page 133)

* How to keep your listeners interested in your story from your
first line to your last chord. (page 136)

In the Chord Progression Section, I'll Share:

* How to reference the chords from a successful song to give people
a familiar sound that’s already a proven success, while at the same
time making it entirely your own. (page 35)

* How to use the rhythm of another song to create a cool vibe to
your own music. (page 36)

* How to use tempo as a tool to set a mood in your songs. (page 37)

* How to modify your chords to create a new sound for your chord
progressions. (page 38)

* How to easily change the key of a song so you can make it as
simple as possible for you to sing it or play on the piano or guitar.
(page 42)

* How to modify the chords of an existing song to compose a great
cover song in your own style. (page 45)

* How to change a song from major to minor to drastically alter its
mood, to match your song's main idea. (page 49)

* What the most commonly used chord progressions are, so you can
either use them for a familiar sound, or stay away from them when
you're innovating. (page 54)

* What the most common songs structures so you can use them to
structure your song with a familiar sound, or stay away from them if
you want to be more creative. (page 56)

* How to contrast your chords from section to section to create an
enjoyable listening experience for your fans. (page 59)

* I'll also give you an easy-to-reference cheat sheet, so you’ll
know what chords to play in _any_ key, making it super easy to come up
with chords for a song, or to transpose a song to other keys. (part 1
of your bonus book)

In the Song Ideas Section, You'll Learn:

* How to come up with a specific idea for a new song, based on an
existing successful story. (page 10)

* What questions to ask yourself before starting a song, to keep
your ideas focused as you develop your idea. (page 13 & page 16)

* How to turn simple, every day words and phrases into full song
ideas. (page 15)

* How to come up with a title that will make people want to hear
your song, and how to develop that title into a full song. (page 17
">Tying These Elements Together

NOT ONLY WILL YOU LEARN THESE CONCEPTS (AND MANY MORE) ABOUT
MELODIES, LYRICS, CHORD PROGRESSIONS AND SONG IDEAS, BUT YOU'LL LEARN
HOW TO TIE THESE ELEMENTS TOGETHER TO CREATE PROSODY IN YOUR
MUSIC.  Prosody is when you connect the elements of your song into
one single idea, for the most pleasurable listening experience for
your audience. And prosody's a theme throughout this book. So whether
you’re writing chords, a melody or lyrics, you’ll learn how to use
prosody to connect each of those elements into your song's overall
idea to create an impactful listening experience your listeners are
bound to love.

YOU'LL ALSO SEE PLENTY OF _EXAMPLES_ OF HOW THESE CONCEPTS WORK, SO
YOU'LL BE ABLE TO EASILY USE THEM IN YOUR OWN MUSIC.

Also - In a Bonus Section on Mindset and Practice, I'll Reveal:

* How songwriters limit themselves, and how to avoid doing that in
order to succeed. (page 147)

* How to add new songwriting routines into your life so you’ll
stick to them and not give them up like a bad new year’s resolution.
This will keep you on a path to success. (page 149)

* How to keep yourself motivated as a songwriter, whether you feel
like writing or not. (page 150)

* How to eliminate distractions when you're writing, for more
efficient writing sessions that will output better songs. (page 153)

* Whether you should strive to write a lot of songs, or just a
handful if you want to become a great songwriter. (page 155)

* How the simple act of making quick decisions can help you reach
your songwriting goals. (page 156)

* How to create your own roadmap to success as a songwriter to
create the future you want. (page 158)

* How to get yourself to take the necessary steps you need to take
to move forward with your songwriting career. (page 160)

* What the five crucial keys to becoming and staying a successful
songwriter are. (page 161)

* How being persistent can help you achieve success. (page 162)

I'm Also Throwing in A Couple of Great FREE Bonuses For You!

FREE BONUS #1 - THE CHORD AND MELODY WRITING CHEAT SHEET

This book outlines the chords for you in each major and minor key,
while giving you the notes to use to write a melody in each of those
keys.  You'll never have to worry about having writer's block again
when writing chords and melodies. This resource is an invaluable
songwriting tool, and it's yours for free.

FREE BONUS #2 - HOW TO WRITE A SONG: TECHNIQUES FROM THE HITS, VOLUME
III

This 29 page report outlines the methods used in several hit songs by
Kings of Leon, Katy Perry, the Script  and a handful of other
successful recording artists. Now you'll be able to apply their
techniques to your own music. There's even a bonus section in this
report that will give you some great pointers for marketing your
music, to get your fans interested in your work.

What Your Peers Are Saying _Thank you so much for this
information. It __makes perfect sense and has drastically improved my
songwriting.  Thank you! _

-Bryan, New York

_I just read the whole book. It is REALLY helpful! I can't thank you
enough for all the useful concepts!_

-Emily, Florida _The way in which your advice has benefited me has
not been small. You have made me realize that knowledge is infinite
and one must always strive to improve one's skills through endless
knowledge acquisition._

-Jeff, Pennsylvania

__

_Congratulations!  You've managed to encapsulate a lot of great
material in a well organized and readable fashion. You obviously have
a gift for teaching, in addition to your excellent grasp of the craft
of songwriting._

-Dave, California

I loved reading this! I can't waiting to start implementing
everything I've learned!

-Donna, Vancouver What an awesome amount of songwriting advice in
one package. Thank you, thank you!! This is so great. Really -- I
loved it!

-Mary, New Jersey

__

How Much Is It Worth?

To wrap this up, you're going to be getting _How to Write Songs That
Sell _PLUS bonus items_ The Chord and Melody Writing Cheat Sheet_ and_
__How to Write a Song: Techniques From the Hits, Vol. III_. For the
whole package, you'd probably expect to pay in excess of $50. And it'd
be totally worth every penny. The two bonus items alone are worth at
least $30. Once you get addicted to the charts provided in _The Chord
and Melody Writing Cheat Sheet_, you'll know exactly what I'm talking
about. And learning directly from hit songs as you will in _Techniques
From the Hits Vol. III_ is always an incredibly valuable tool.

But I'm not going to charge you even close to $50. Today, , you can
get all of this for only $27. THE PRICE WILL NOT STAY THIS LOW FOR
VERY LONG, SO IF YOU'RE EVEN CONSIDERING TAKING ADVANTAGE OF THIS
DEAL, DO IT NOW BY CLICKING THE "ADD TO CART" BUTTON BELOW. You'll
have immediate access to all of the materials.

And the best part is you can try out all of this information
completely risk free.

Try the EBook and Bonuses Completely Risk Free!

OUR 60 DAY 100% MONEY BACK GUARANTEE

If for any reason you think this report isn't the best $27 you've ever
spent, just send me an email and I'll refund you the full $27. So take
a full 60 days to experiment with the material, and if you don't think
it's great, I'll refund your money. All I ask is you give it an honest
effort. How is that for fair?

_YES!_ Give Me Instant Access!

YOUR LOW PRICE FOR TODAY: $27

TO ORDER AND GET IMMEDIATE ACCESS TO _HOW TO WRITE SONGS THAT SELL_
PLUS YOUR BONUS ITEMS, _THE CHORD AND MELODY WRITING CHEAT SHEET_ AND
_HOW TO WRITE A SONG: TECHNIQUES FROM THE HITS, VOL. III_ IN PDF
FORMAT FOR A ONE-TIME PAYMENT OF $27, HAVE YOUR CREDIT CARD READY AND
CLICK THE BIG ORANGE BUTTON BELOW:

P.S. - Remember, if you keep doing things the same way you've been
doing them, you're going to get the same results you've been getting.
Plus, you can take comfort in knowing that by using what you’ll
learn in this book, you won’t have to worry about getting writer’s
block anymore. You’ll have clearly defined ways for coming up with a
song your listeners will want to hear _every_ time you write. And
the book is risk-free, so it's a no brainer.
Contact me at anthony@successforyoursongs.com with questions.
Copyright (c) 2012 Success For Your Songs

Sites you may be interested in