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HOMETOWN SHOWBIZ
A WEEKLY COURSE TO HELP YOU BECOME A SUCCESSFUL PERFORMER
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_3,000 PAID Shows and 30 Years Later...._
_Chicago Entertainer Wants YOU To Have His Secrets Before It Is Too
Late ..._
If you’re not interested in knowing exactly how to cash in on the
amazingly lucrative ENTERTAINMENT industry, then this is not for you.
However, if you want to have your name in lights and make a good
living, continue on. OR, maybe you only want to find a FUN part time
gig that puts a few extra bucks in your pocket when you WANT to
work... this is for you.
_YOU CAN EASILY ENTER THE HIGHEST PAID INDUSTRY IN THE WORLD...._
Where Millions of Dollars are Paid Daily to People Like YOU!
What is it? What business routinely pays people millions of dollars?
It is the ENTERTAINMENT business where actors, sports figures,
singers and others get rich doing what they love to do.
_Here I am with the late Shari Lewis_
NOW you can get your share of the multi-Billion dollar industry.
READ THIS: You don’t even need a single bit of experience.
You don’t have to sing, dance, act, play an instrument, or play a
sport.
In fact, you can be an uncoordinated, tone-deaf, two-left feet nerd
and still make a ton of money doing something you love.
HOW?
_By learning how to entertain others._
How do I know YOU can do this?
Because I did it. And I can teach you how to do it too.
When I started, I didn't know a thing about entertaining family
audiences.
30 years later and over 3,000 shows have catapulted me into the top
echelon of entertainers that actually get booked and Make Money.
It’s not about talent or ability (I’ll show you how to get that)
It’s not about agents and managers or who you know. It’s not
about performance, technique or methods.
_IT IS ALL ABOUT MARKETING!!_
And YOU can learn how to do it.
Even if you want to hire the actual entertainers, and collect a
piece of the action, this is the easiest home-based business you can
think of.
AND if you WANT to Entertain?
Great, I’ll show you how to get booked, get paid and get
endorsements. It isn’t rocket science, but it is FUN and profitable.
_AT A SCHOOL SHOW_
Imagine being one of the most sought after Entertainers in your
area... Can you see yourself on the front page of your local paper?
You should try to see this, cause that what happens when you learn how
to MARKET YOUR ENTERTAINMENT.
YOU can cash in today on America’s unquenchable thirst to be
entertained.
YOU can pick up an easy and fast $200.00 for an hour of your time.
YOU can be one of the new breed of “American Idol.”
YOU DON'T have to be a finalist on "America's Got Talent" to make
money.
Can YOU can be on the stage performing in your own hometown?
I don’t know. I don’t know your drive. I don’t know your work
habits.
I DO know that I can help YOU get the gigs you want.
Whether you just want a part-time FUN little business that makes you
several thousand EXTRA dollars a year, or you want to become a SIX
Figure full-time Entertainer, you make it happen, if you know my
secrets.
The bottom line....
_"How To Rake-In Cold, Hard, Cash Performing In Front of Audiences
- No Matter What Your Specialty."_
No matter what kind of entertainer you’d like to be, here's...
"HOW TO GET STARTED DOING ALL THE
GIGS AND SHOWS YOU EVER WANTED IN YOUR
OWN HOMETOWN SHOW BUSINESS CAREER!" ...
I'm going to show you a proven, simple, step-by-step system for
starting your show business career on the right foot with methods that
have worked in the entertainment industry for over 30 years!
And I mean all the shows that will keep you as busy as you want to
be and make more profits than you ever thought possible!
Jugglers, story – tellers,, dancers, clowns, public speakers,
singers, comedians, models, actors, magicians, independent film
makers, and almost any other performer you can think of have all used
these techniques to generate shows and gigs like mad.
Plenty of opportunities to perform and make cash!
This system has been used to generate shows and gigs starting from
scratch in several new markets. If you have ever wanted to make a
living in show business or just wanted to kick start your performing
career, this E Course is for you.
HERE'S WHAT IT'S ALL ABOUT...
Since you were a child, the glow of the spotlight, the roar of the
crowd always excited you, moved you, captivated you...
You dreamed, you hoped, you wished to be a star, a celebrity, a
person who could bring audiences to the height of joy, or to periods
of quiet reflection.
You studied, dreamed, worked to make your vision a reality. But like
most people wanting to break into show business, you found little help
in making your dreams come true.
Your fortunes are about to change.
You're about to discover a proven, sure-fire way to get your
performing career started right away.
That's what this message is about ... showing you where to turn to
find simple, yet detailed information GUARANTEED to get you started
performing. That's where I come in. My name is Millard Grubb.
You may have never heard of me, but I’ve been performing for over
30 years and if you’ll listen closely, I’ll show you how to get
your performing career started off right, and make money doing it.
Performing is more than showing off your talents, you must learn how
to "entertain an audience." That fact took me a long time to learn.
But in my hard-hitting ecourse, you’ll learn the lessons quickly
that took me years to master.
You’ll learn how to get clients to have you back again and again.
That’s one of the secrets to making it as a performer.
My secret for you…everything I have learned explained in an easy
to learn e-course.
The Hometown Showbiz E Course
The Hometown Showbiz E Course is by far, the best thing on the
subject of boosting a performing career no matter where you’re at..
The bottom line is this: If you want your experience and talent to
stop being overlooked and start making you money, you MUST GET this
course!
Why am I selling my hard-earned experience?
Simple. I’m tired of all the misinformation that’s being bandied
about that supposedly helps performers get started.
I’ve been there.
I've been told to create a brochure and just watch the bookings come
in ... It didn't happen.
I’ve been there when an agent booked me at a hotel with the
stipulation that I MUST take another two weeks, two months down the
road AND that SAME agent told the hotel that I would only work if I
got the two weeks additional as well.
Talk about playing two ends against the middle! Don’t get me
started on agents!
I don’t want what happened to me to happen to anybody. Ever!
I had to start booking myself after that experience.
Listen, even the not so pretty details of my career are being
revealed.
Look, knowing how to put together an act that brings down the house
is one thing, but putting it all together to get the best bookings
like crazy is one of your MOST POWERFUL ASSETS. It's an asset that you
can leverage and use to make yourself serious money every single time
you apply the system.
The Hometown Showbiz E Course will show you how to master the "art
and science" of not only making your act an entertaining powerhouse,
but show you where to find the most gigs.
You will learn how I sent a little postcard and got a gig with Shari
Lewis and Lamb Chop.
You’ll learn how a simple twist on an old idea brought 27 gigs.
You’ll learn how to make sure your act is noticed by the movers
and shakers so you get gigs fast.
You’ll learn how to get gigs with people like Ray Stevens and Zig
Ziglar at the same time.
You’ll learn an easy way to get promo photos for peanuts.
You want to go on the road?
You’ll learn insider secrets to make roadtrips pay off; also what
to avoid so you don’t get burned out.
Wanna know what the real behind-the-curtain secrets are of a night
club performer?
Pssst, don’t tell anyone. I share some of my most intimate moments
on and off the stage.
_An Important Secret!_
This ecourse is not for everyone.
If you cannot take straight-to-the-point language about building a
career without whining, you don’t need to get this course. I pull no
punches with my opinions.
Every week, like clockwork, you’ll receive an email telling where
to download that week’s lesson. For a full six months.
Now listen. I was a magician, mentalist, and family entertainer for
over thirty years, so my experience is in these fields. But these
methods work whether you are a clown, juggler, singer, comedian, or
tap dancer.
YOU WILL LEARN THE SAME ACTS I DEVELOPED
FOR SEVERAL MARKETS.
However, if you are any kind of entertainer, these methods will help
your show. And the price is so compelling, how can you say no?
Can my methods work for you?
Maybe. Maybe not.
I don’t know if you really want to be an entertainer or you’re
just looking around.
If you’re serious about creating a new career or just want to make
your existing show business programs better, more fun to do, and make
more for each gig, you owe it to yourself to get this ecourse.
This ecourse is my life’s work .... You are paying for my
experience.... over 30 years of it.
Mistakes I Made
Like most performers, I started out doing birthday parties, family
reunions, weddings, and all sorts of local functions. I was satisfied
to get a few bucks while I was going to school, but as I got older and
started working a "regular" job, I wanted more.
I didn't know anything more than to work on my act and pass out
business cards. I hoped I would get a few gigs in the evenings and on
week-ends to buy new equipment, clothes, and props, among other
things.
But, underneath it all, I wanted to make a living as a performer. I
wanted to show my folks and all those who laughed at me that I could
do it...that I wasn't just a dreamer...wasn't just talking out of my
hat.
But, try as I might, I kept making mistakes.
I kept buying books, watching videos,(This was before DVDs) going to
lectures, calling professionals, going to conventions. It seemed as if
there was some sort of "secret" that the professionals weren't exactly
telling me.
No one told me when I was working nightclubs, to promote myself
during the day, and to get to bed early after my last show.
Did I waste time? A lot of it.
No one told me to keep control of my act, and it _cost me a dunking
in a public fountain!_
The $10,000 Blunder
As I was working at my job as a behavioral specialist in a Chicago
area United Way facility, I figured I had a deal that wouldn't fail. I
met an author who sold a ton of books and was a self-proclaimed
marketing expert. After meeting with him a few times, he convinced me
to pay him to design a brochure. He supposedly had a great deal on
printing and a fulfillment house for mailing to agents (Don't get me
started on agents!).
This brochure was a work of art!
It was four-color with a spinner on the inside that looked like a
hand. My photo was on the back along with phone number, etc. The
brochure was geared to look like a Trivial Pursuit game and opened
like a box.
I could see myself sitting by the phone as the calls started to come
in. Agents would be so excited by the brochure, they would call in
droves. (Have you been there?)
I mailed the brochures to 500 agents and meeting planners.
And waited.
And waited. And waited.
_I didn't get a single call!_
I panicked...
I wept...
I wanted to kill myself.
After I calmed down, I had a friend call 50 agents at random from
the list I sent .... and I learned a powerful lesson.
The brochure looked good. It was top quality.
Yet, it failed to ask any of the agents to call me for a program!
I had presented myself in a colorful way, but failed to sell myself.
In an expensive lesson, I learned that marketing is the key.
Ya gotta have an act, yes, but you have to sell to someone who needs
you and understands how you can help them. Your act is your product
and you have to learn to sell the act as well as be a good
entertainer.
And don't think that you have to be a fantastic performer either.
I know performers that are _passable_ entertainers, yet, make
thousands of dollars a year because they have learned the secrets of
selling themselves. More later.
My Disaster with Shari Lewis
I spied an ad in a trade magazine offering a "Giant-Sized" rabbit
suit that would be "perfect" for grand openings, Easter Celebrations,
and children's programs. I thought that this had real possibilities,
so I went to my bank, borrowed $1,500 for the costume and got ready to
mail some postcards.
This time I got about 4 calls and booked a country club show and a
show with the late Shari Lewis and Lamb Chop at Chicago's prestigious
Medinah Temple! All I had to do was introduce Shari to the packed
house of kids, parents, and reporters while doing a simple magic
trick.
Good grief! I got into costume and when they introduced me, the
spotlight was so bright, I couldn't see a thing! My arms were waving
about like a hummingbird while I tried to find the microphone. Someone
finally handed me the mic and I was able to talk to the kids. But it
was so bright I could not find my prop for the simple magic trick!
I was so glad I was in costume and no one knew who I was ! I had
already been paid for the gig, so I got out of there as fast as I
could....being ashamed to no end.
After this disaster, I decided that I would only do what I knew I
could do and be myself, rather than just looking for the big bucks.
You'd think I'd learned my lesson by this time, but I kept getting
up and trying again and again. My friends and family thought I was
nuts. They thought I enjoyed being humiliated.
It wasn't that I was a glutton for punishment.
There was a fire inside of me.
A volcano of desire. The desire to succeed at what I loved to do.
I wanted to make people laugh. I wanted to make people applaud. I
wanted to make people weep. And make money doing it.
Let me tell you about one more mistake I made and then you'll
understand why I wanted to do all the booking myself.
Why Agents Scare Me
I was starting to do more shows and my name was getting out. So when
an agent called me with a three week gig in my home state, I was
excited. The only thing I had to do was agree to do a two week stint
at the same hotel 3 months after the first one. I was working a
full-time job at the time, so I figured I would use vacation time,
sick leave, etc. for the first gig and then figure something out for
the second one.
I did the first stint with good crowds and great reactions. About a
month before the second gig was to start, I informed my boss that I
needed two weeks off without pay for personal business.
I couldn't get the time off. So, I quit.
When I got to the hotel for the second gig, I found out that the
agent who had booked me had told the hotel that the only way I would
perform is that I had to be guaranteed two weeks in February, besides
the first gig. The agent THEN told me that I could only take the first
three weeks, if I ALSO booked the two weeks in February. So, the agent
played both the hotel and myself against each other to make a little
extra commission.
And it cost me an extra year to get my performing career going
because of this blunder.
At that point, I decided that I would book all my own shows. Take
care of all the legwork and control my destiny.
I had already proven that I could get booked for good money at some
of the best hotels and clubs. Now, I just needed to book more
programs, more often.
Like a man possessed, I snapped up every marketing book I could
find. I went to every marketing seminar I could afford. I talked to
everyone I could who was successful selling anything to anyone.
My career started to take off....and it hasn't stopped since. In the
last 30 years, I have done over 3,000 shows...all self-booked. Once I
developed a system for getting shows, it was just a numbers game. If I
wanted to do 30 shows one month, I knew exactly what I had to do to
make the numbers work for me. If I wanted to take it easy, then I just
stopped using my system.
And through it all I realized that the reason I was succeeding was
because I had a passion for my work. I truly loved performing and
wanted to get better and better. Plus, I wasn't working at my career
for the money, but instead I was working for the LIFESTYLE that having
money gave me.
Funny to think about money that way, but it's not the money, it's
what money allows you to do.
Listen, when you have money, you don't need a job, you don't have to
work for anyone else. And not having to show up for work every day
frees up a lot of your time. That's time you choose doing what you
like.
Time spent with your family. Or your hobbies. Or on an adventure.
Whatever you want.
But it wasn't all about marketing.
As I changed and my markets changed, I HAD to develop different
shows for different venues.
A show for family audiences. A squeaky-clean show for corporate
audiences. A school show. A Christmas show. An after-dinner show. A
close-up show. A mentalism show.
I was doing mainly adult shows and close-up magic when I met a
famous mindreader at a convention in Chicago. When talk got around to
kidshows and family audiences, he pulled out a card and showed it to
me. My mouth hit the floor!
The card described this world-known mentalist as a kidshow
performer. He said,"Millard, you are missing out on a lot of money if
you don't perform at kidshows and family functions."
This performer helped me make a few phone calls and I booked 18
shows ... even though I didn't have a kidshow!
Three professionals helped me put a show together and I started down
yet another path in show business.
Yet, more important than that is.....
The Real Secret
Listen, I have a confession to make. It wasn't all me.
I had a lot of help from friends in the business industry that
helped me learn how to sell myself. I went to seminars by famed
marketing guru, Jay Abraham. I bought packages of materials from Bill
Myers. I sat at the feet of Marty Chenard. I learned copywriting from
Brian Keith Voiles.
I spent thousands of hours of experience and thousands of dollars to
learn how to sell myself. Many of my promotions bombed. But enough
succeeded that I made money. Marketing expert, Jay Abraham, explained
that if he had only one thing he could do for marketing, he would use
endorsements. And that technique is exactly what I used to kick my
performing career into high gear.
Let me explain just what I did.
Having just moved into a new part of the country with few contacts,
I knew that I had to do something innovative to make a splash and get
shows.
I got a list of local schools and created a letter that gave a
special one - time offer. I explained that I was new in the area and
that I was looking for new clients. I further explained that during
that month I was offering a program at an unbelievably low price so
that everyone possible could have a chance to see my program.
I sent out 112 letters and booked 16 shows!
It gets better.
As a result of these shows I had three directors of schools write me
letters of recommendations. But these letters were not simple
testimonials. These were letters that were written on their letterhead
and sent in school envelopes to every other school in the area!
What this letter did was effectively ENDORSE me to every one of the
director's colleagues and give me a higher level of credibility.
Usually a performer just sends a letter with a copy of a "Fan" letter.
Can you see how this works?
This technique worked so well, that I filled a summer season of
workshops from the three letters I sent to three different
associations of schools. Let's say that you have just done a killer
program for a group of dentists. They love you. You walk on water.
Everyone is asking for your business card. You go to the person who
booked you.
You ask if you could have a favor. Would the organization be willing
to write you a letter? After they say yes, you ask if you could have
the letter written to all the other dental organizations. You'll take
care of everything. You'll handle postage, printing, mailing. Is it ok
to print it on their letterhead you ask? In the vast number of cases,
they will say yes, no problem.
When you have a good act and people appreciate you, it is no problem
for them to endorse you. And it is very powerful. More powerful than
anything you could do.
One More Important Secret
As entertainers, we have taken years to perfect our art, acts,
voices, etc. Yet if we do not see ourselves as marketers, then we
cannot get all the business we deserve.
Let's face it. We all sell our ideas, thoughts, insights, everywhere
we go. We see a good film and convince our friends to see it. We buy a
new car and we tell everyone what a great deal we got. We have a new
sound system we use in our act and we tell everyone.
We always tell people to buy what we are already sold on.
Are you sold on your own act? Do you need a new one?
I am revealing in an easy-to-learn, week-by-week course, all my
routines, all my tricks, all my shows, plus marketing tips, ideas, and
techniques that will help you keep booked month after month.
Frankly, I am retiring from performing this year and want to teach a
few folks EVERYTHING I've learned in my long career, from magic to
mental entertainment to entertaining family audiences.
I also want to let a few people learn some of the hard-fought
lessons I had to learn without spending thousands of hours and
thousands of dollars to do it.
For many years there have been performers who have done a show or
two and THEN sold products claiming to have all the secrets to the
golden vault. When it came time to see their performances, let's say
they weren't close to good.
But let's be honest. Even performers that aren't that good can sell
a whale of a lot of product if they promise to make your dreams come
true.
Plus , many of these packages cost HUNDREDS of dollars to obtain.
Can you make a boatload of money performing? Maybe, maybe not.
What I am offering the performing community are shows that have made
ME money.
But much more than that !
_I am offering you my life's work._
And I am doing it over the course of a six month's weekly course of
study.
Never has a performer revealed as much as I am in this Hometown
Showbiz E Course.
This is not a marketing course, but _a course on doing performing
well_.
I will include my marketing pieces along with letters, posters,
postcards, and other items.
Here is what is included in the first few lessons:
1 Professor's Magic Show, Part One
2 Professor's Magic Show, Part Two
3 Easy Ways to Get Gigs
4 Publicity Made Simple
5 Birthday Party Magic
6 Using Birthdays to Make More Cash
7 Specialty Act Or Entertainer?
8 Shot At in a Nightclub (Avoiding Disasters)
9 Halloween Safety Show and Other Special Events
10 Behind Closed Doors With the Masters
11 Getting Started in Mentalism
12 Practical Mentalism Show
In these lessons I reveal EVERYTHING I have learned.
Even if someone has already bought a bunch of my stuff, they can
still learn a few things. Especially the step-by-step approach I use
to explain what I have done.
These lessons make it EASY for ANYONE to learn the performing
business, not only the magic business.
When I started, I was fortunate to have people like JB Bobo, Ben
Stone, Ron Urban, Joe Stevens, Frank Everhart, Jay Marshall, and many
others help me.
I reveal many of the closed-door sessions I had with these
individuals.
I teach you where I succeeded. Where I failed.
My LIFE is revealed in ALL my materials.
My SOUL is expressed in my discussions.
_I am giving you MYSELF._
Again, why?
This is my legacy. I want to get my materials out to let people know
there is a BETTER way to be a successful performer. I am looking to
mentor a few folks. I want to see if other performers want to succeed
as bad as I wanted to when I was younger.
Is there fire in anyone's belly?
I have also made it so inexpensive, that a college student living in
a dorm eating Ramen© noodles could afford to learn from me.
AM I NUTS? Have I lost my mind?
Many might think so because these acts of mine have sold for
hundreds of dollars in the past.
Why am I almost GIVING them away?
As I said before, this course will be my legacy.
It is important to get it into as many hands as possible.
Also, I am getting pretty tired of folks having to spend a lot of
money trying to learn how to improve themselves.
Can you imagine paying $300 learning how to present a school show?
That's what folks are paying!
If you are willing to trade in the cost of a fancy cup of coffee a
week, FOR A FULL MONTH of lessons, then you are in the right place.
Here are comments from SUBSCRIBERS to the E Course:
Mr. Grubb,
I wanted thank you the wonderful course Six Months to Mastery. After
receiving the first two lessons I feel like I just got the deal of the
century! This is far more than the standard “common sense”
marketing program that is peddled by the many “marketing gurus”
that seem to be popping up everywhere these days. With your reputation
as one who under-promises and over-delivers along with your
association with the legendary Frank Everhart, I expected a quality
product but, my word, this is FAR better than I expected. You not only
provide the entire act in full detail, but include all of the
subtleties and nuances that have gone into the creation of this well
thought out act. With the information in the first lesson, I have some
great tips on booking shows immediately. Thank you so much!
Scott Compton
Dandridge, TN 37725
Dear Professor,
I feel like I've just hired a Magician's personal trainer. This
course is the best investment in taking my magical interests to the
next level. Being a pediatric Nurse by profession, It will be such a
pleasure to be able to develop a working magic kids show to bring some
happiness, as well as healing to the families I serve. Thank you
Millard for sharing your experiences in this class, and helping us
become better, practical and professional magicians.
Robert Divers,RN
I read through lesson 1 of Millard's course as soon as it arrived,
allowed it to settle, and then have just read through it again today.
The initial 13 pages was well received and my first reactions were
ones of a nicely presented, gently driven, learning curve which seemed
(to me at elast) to start at a sensible and logical platform, and
ended up at the perfect stopping off point.
With the bonuses and extra links included in it, this 13 page
initial lesson became a 30 page, much fuller lesson, (always good to
find hidden depths in something you think you are prepared for) All in
all, a very well presented and comprehensively planned start to what
promises to be a very enjoyable course!
I not only like Millard's manner of presentation - simple and
straighforward, I also like the narrative feel to the lessons. Nothing
too highbrow and nothing that is in any way condescending - something
which can it seems be a difficult platform at times in the
teaching/instructional mode.
I should also mention that there were a couple of occasions where I
chuckled out loud reading the script, and a couple of occasions where
in mid read, I drifted off to thoughts of what I might bring to the
suggestion made, or make of the suggestion given!
Hats off to the first lesson - and looking forward to the second!
Maria
Millard, just another quick note to let you know that (a) I received
Lesson 3, (b) I am, once again, very impressed.
Once again, you have overdelivered. And once again, you have whetted
my appetite for more material -- i.e., your referral book looks like
it will be a "must have." If anything, having it arrive on a periodic
basis is goading me to Do Something, Not Just Sit Here. And if the
course did ONLY that, it would be invaluable. I think that may really
be its best value -- that it's like a personal contact from you,
encouraging us and all but putting the phone in our hands.
Between now and June, you're going to see my career as a wizard
really take off. Can't help it, with the encouragement you've been
providing.
Again, some great work here. I think this course may be your real
calling in performing. And that is high praise, because I believe that
- other than parenting - teaching is the greatest calling one could
have. And to be able to do it as well as you are ...
Chet Cox, Columnist/Author
Hello, Millard:
Your lessons are very informative. It really is well worth the money.
Thank you for being so generous.
I appreciate your help!
Joe Libby
San Antonio, TX
Why do I say all this? Do I need a pat on the back?
No.
I just want you to understand that the materials I produce are based
on REAL WORLD experience.
This educational course is not just about getting on the stage ....
it's about performing .... and getting paid.
Listen. There are a lot of performers 'gunning' for me because I
reveal so much for so little.
There are good courses out there. My materials are different.
I KNOW they work. I've used them. I SHOW you actual examples of what
I've done. I TELL you what worked. What didn't.
I want you to LEARN from the mistakes I've made as well as the
victories. I want you to succeed at your own performing business.
You don't have to be a magician, mentalist, or family entertainer.
You can learn so many bits-of-business or tips from one of my shows to
put more pizzazz in your program. You can use a technique to get more
DJ gigs. You can use my stuff to improve what you are already doing.
_You will kick yourself if you do not get this._
What's the investment?
$20 a month.
The price of a fancy cup of coffee a week.
That's right, a twenty dollar bill, every thirty days for six
months. Only twenty bucks.
When you order, you'll have an initial charge of $20, and then,
every thirty days for the next five months you will be charged $20 for
the rest of the lessons, sent via email to a download link;
week-by-week.
Your first email will arrive within minutes of your order with
download instructions for the first lesson.
You can quit at any time, so you have no long-term commitments.
Because I am working closely with all participants, I will only
allow _200 people_ worldwide to take part in this life-changing
course.
Click the Click Here button to get started today.
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Warmly,
Millard Grubb
"At Home On The Stage"
Copyright 2008 Millard Grubb and Backyard Gazette
All Rights Reserved
© 2008 Millard Grubb Contact Me [4]
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